This print depicts five figures on an open-air type patio, a man on the right preparing a meal while the woman to his left holds a plate with more fish. It is brightly hand-colored and signed with the artist's signature to the right in a red banner trimmed with gold while the printer's mark in on the far left. It has been set on archival paper.

Weight (lbs): 0.25
Height (In.): 10.25
Width (In.): 14.5
Depth (In.): N/A
Size: 14.5X10.25
Maker: Utagawa School
Material: Paper
Date: 19th C
Provenance: N/A
Condition: The original paper is wrinkled and toned with light wear to the edges.
History: Woodblock printing in Japan (moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the moku-hanga technique differs in that it uses water-based inks—as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.
Condition: The original paper is wrinkled and toned with light wear to the edges. History: Woodblock printing in Japan (moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the moku-hanga technique differs in that it uses water-based inks—as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.