This print shows a man in a blue garment standing behind a seated woman who is looking downward with her sleeve covering her mouth. The man has an arm extended toward her, hand bent back as if to grab her shoulder, but too far to close the distance. Their room is largely unadorned apart from a long footed bench. The original paper is set onto archival paper.

Weight (lbs): 0.25
Height (In.): 10.25
Width (In.): 14.75
Depth (In.): N/A
Size: 14.75X10.25
Maker: Utagawa School
Material: Paper
Date: 19th C
Provenance: N/A
Condition: Minor wrinkling, toning, and wear due to age.
History: Woodblock printing in Japan ( moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the moku-hanga technique differs in that it uses water-based inks—as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.
Condition: Minor wrinkling, toning, and wear due to age. History: Woodblock printing in Japan ( moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the moku-hanga technique differs in that it uses water-based inks—as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.