Edwin Wilwayco (b.1952)
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Description
Off-Roading (Blue Rain)
signed and dated 2012 (lower right)
oil on canvas
57 1/4” x 96 1/4” (145 cm x 244 cm)
Provenance:
Private Collection, Makati City
A luscious preponderance of vivid, warm colors, intense nuances of reds and oranges immerses the viewer in Wilwayco’s landscapes, recalling the words of American abstractionist Joan Mitchell: “It’s a secure landscape not desperate. I’ve chosen one you can live in.” Interestingly, Wilwayco’s kinship with grays is put to great advantage, invoking a chilly, brooding tonality to the works. The artist’s partiality toward various shades of blues implicitly bound him to the vitality of both aquatic and spiritual forces, moving unhindered in nature’s realm.
Wilwayco has always referenced the sacred and the divine in the primacy of his emotions. More than the investigation of space, or the activation of textures, more than the vibrancy of colors or the complexity of composition—the artist concerns himself with the resonances of abstraction as a spiritual language, conveying meanings that are profoundly affecting, if not life-changing. Exaltation is itself an impetus for the transmission of painterly energies embodied in such works as “Dance of the Blessed Spirit,” with its whirling vortex seemingly spiraling out of control, or “Swan’s Reflections,” with its organic luxuriance, coiling tendrils and flux of roots.
-Cid Reyes
signed and dated 2012 (lower right)
oil on canvas
57 1/4” x 96 1/4” (145 cm x 244 cm)
Provenance:
Private Collection, Makati City
A luscious preponderance of vivid, warm colors, intense nuances of reds and oranges immerses the viewer in Wilwayco’s landscapes, recalling the words of American abstractionist Joan Mitchell: “It’s a secure landscape not desperate. I’ve chosen one you can live in.” Interestingly, Wilwayco’s kinship with grays is put to great advantage, invoking a chilly, brooding tonality to the works. The artist’s partiality toward various shades of blues implicitly bound him to the vitality of both aquatic and spiritual forces, moving unhindered in nature’s realm.
Wilwayco has always referenced the sacred and the divine in the primacy of his emotions. More than the investigation of space, or the activation of textures, more than the vibrancy of colors or the complexity of composition—the artist concerns himself with the resonances of abstraction as a spiritual language, conveying meanings that are profoundly affecting, if not life-changing. Exaltation is itself an impetus for the transmission of painterly energies embodied in such works as “Dance of the Blessed Spirit,” with its whirling vortex seemingly spiraling out of control, or “Swan’s Reflections,” with its organic luxuriance, coiling tendrils and flux of roots.
-Cid Reyes
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Edwin Wilwayco (b.1952)
Estimate ₱400,000 - ₱520,000
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