Dr. Robert I-San Lin's Collection of Important Chinese Artworks
A very rare and large Ming Dynasty Wanli Period blue-&-white bowl. Waichuan Ming Dynasty blue and white peony flowers in the Dragon cornucopia. Modeling simple, less impressive regularity, fetal white microstrip gray, hard but thicker, heavier, density. The glaze with blue, glazed no anger thief light, with clear glaze and porcelain Republican big difference. There are many black glaze kiln 𥻗 point, we can see the larger glaze bubbles (diameter of about 120-180 microns) and bubble density is sparse at 25 times the magnifying glass bubble with the Qing Dynasty and the Republic of modern enamel small (diameter of about 80-120 m) and high cell density difference. This glaze is typical Ming Dynasty. 𤂑 blue and black belt, as a blue and white of the late Ming. Ornamentation pen with slightly harder to extension method and plotted Fenshui law, strokes flow 𣈱 Hao Guang, late Ming blue and white painting, and later the Qing different description of common 輭 pen fine rendering. Long and expressive painted peony flowers. Dragon scales patches are painted blue and white fill. Long head giant head mouth, hair hung after a long antennae for straight forward, really dynamic. Long under decorated with waves week. Ring foot slightly outside the write in the foot wall, the outer wall near vertical foot, the foot end slightly rounded. This process is one of the typical repair foot late Ming Dynasty. To refer 軽 bomb rim, can hear the pronunciation of fresh, longer 迴音 resonance, as percussion gold chop bowl, because Wanli from the exercises had been four hundred years, fetal molecular gradually moving grain cake, plus Sheung Shui molecule penetrate constitute a large fraction subnet structure close to gold chop. In addition to the high-temperature firing of fine porcelain tire, mid Qing Dynasty to modern porcelain lasting less 逥 sound resonance. This bowl outsole heart book section Xuande years, this was because the emperor Chong Aixuan German porcelain. Diameter 40.3cm. Past Haiwan this bowl is also called, its use in addition to food containers are used to place the treasures, it is also called cornucopia, on behalf of Fortune's wishes. Late Ming blue and white treasures. (Dr. California 林亦森 collection, 1960 from Taipei to bring the United States)
(Collection of Dr. Robert I-San Lin of California)
明萬曆青花外穿花龍紋內牡丹紋聚寶盆。造型古樸、稍欠規整、胎白微帶灰色、堅硬但稍粗、較重、密度大。釉帶青、釉面無火氣賊光、與清及民國瓷的釉面大不同。釉中有許多黑色窯𥻗點、在25倍放大鏡下可見釉中氣泡較大（徑约120到180微米）而且泡的密度較稀疏、與清朝及民國現代瓷釉中泡小（径约80到120微米）及高泡密度大不同。這種胎釉為明代典型。青花𤂑而帶黒、為晚明青花之一種。紋飾用稍硬的筆以拓法與汾水法繪成、筆觸流𣈱豪獷、是晚明青花畫法、與清代以後常見的輭筆細描渲染不同。所繪遊龍及牡丹花都傳神。龍的鱗甲片片都以青花填繪。龍昂首巨目張口、長髮後披、一長觸角向前直伸、動態十足。龍下飾以海浪一週。圈足、內足牆稍外撇、外足牆近垂直、足端稍滾圓。這種修足工藝是晚明典型之一。以指軽彈口沿、可聽到發音清爽、廻音共鳴較久、如同扣擊金钃碗、這是因為萬曆離今已四百多年、胎中分子粿粒漸漸移動、再加上水分子滲入而構成較大的分子網、近於金钃結構。除了高溫燒成的細胎瓷以外、清中期到現代瓷都較少持久的逥音共鳴。此碗外底心書宣德年製款、這是因為當時帝王崇愛宣德瓷。徑40.3cm.過去此種大碗也叫海碗、其用途除了盛食以外也用於放置寶物、所以也叫聚寶盆、代表招財進寶的意願。為晚明青花珍品。（加州林亦森博士珍藏，1960年代由台北帶來美國）