Columbia label award to the label chairman/CEO recognizing 5x platinum level sales of the Footloose soundtrack album. This is a very large and impressive label award presented in recognition of 5 million in sales of the classic album. Designed with five "platinum" albums and a metal presentation plate.

Released January 31, 1984 the album shot to #1 on the Billboard Top 200 Albums chart on the strength of the film's success and the #1 hits from Kenny Loggins ("Footloose"), and Deniece Williams "Let's Hear It for the Boy". Mike Reno of Loverboy and Ann Wilson of Heart also scored a top 10 hit with "Almost Paradise". "Holding Out For A Hero" was also a minor hit for Bonnie Tyler. While not an RIAA award, RIAA data shows that the album was certified for 9 million copies sold in the U.S. by 2001.

Item Highlights:

• Columbia label award celebrating 5 million in sales of the Footloose soundtrack album with five "platinum" LPs and Columbia Records logo plate (Note: Not an RIAA award)
• In Excellent condition
• Presented to former label Chairman/CEO
  
• All original, estimated to be from early 1980s
• Measures approx. 38" x 18" x 2" deep
• Great collectors item for any Footloose or 80s fan

Detailed Item Description: This is a label award estimated to be from sometime in the early 1980s and is presented to Al Teller, who was MCA Records Chairman/CEO from 1988-95 and who held many other executive roles prior to that. This award is all original and in Excellent condition with only a few very minor scratches on the frame. If you are a fan of the 80s you will love this large, beautiful award.

Notes on the condition of all vintage RIAA and other music awards: Please do not buy this item if you want a brand new piece of memorabilia. These are historical artifacts from the year they were produced. As a result they may show signs of wear. Frankly, if you see a 20 to 50-year-old award purported to be in 100% perfect condition, it might be too good to be true. After all, an antique should have "good' wear. If not, you might want to question the piece.

As to where they came from, they could have been displayed in record label offices, recording studios, artist manager's offices, radio stations, private collector's homes and yes, of course, possibly the artist's or songwriter's home. Typically, we don't know all the places they may have been over the years other than what we've stated in the description.