Lot 0083

§ CARINE NEUTJENS (BELGIAN 1956-)

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Charles Hermans, (Belgian, 1839-1924): Charles Hermans (Belgian, 1839-1924) "At Dawn" oil on canvas signed lower left. Framed. 60-1/2" x 68", framed 70-1/2" x 78-1/4" Provenance: Sotheby's, London, November 21, 1989, lot 67; Kurt E. Schon,

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Pierre Jan van der Ouderaa (Belgian, 1841-1915) Foor in de Oude Buers te Antwerpen: Pierre Jan van der Ouderaa (Belgian, 1841-1915) Foor in de Oude Buers te Antwerpen signed and dated 'P.VANDER OUDERAA/Antwerpen 1892' (lower right) oil on canvas 138 x 203.5cm (54 5/16 x 80 1/8in).

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Jules Pierre van Biesbroeck (Belgian, 1873-1965) The siren: Jules Pierre van Biesbroeck (Belgian, 1873-1965) The siren signed 'JBiesbroeck' (lower left), with artist's label (on the reverse) oil on board 111.5 x 54.5cm (43 7/8 x 21 7/16in). This lot is subject

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Evariste Carpentier (Belgian, 1845Â–1922), , Un Témoin: Evariste Carpentier (Belgian, 1845Â–1922) Un Témoin Muet Signed and located 'Evt Carpentier (underlined)/Paris' bottom right; also signed and titled verso, oil on panel 24 x 18 in. (61 x 45.7cm) P

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A Chinese 21-piece armorial tea service with the arms of 'Van der Cruyce' for the Belgian market,: Full title: A Chinese 21-piece armorial tea service with the arms of 'Van der Cruyce' for the Belgian market, Qianlong Description: L.: 18,5 cm - H.: 12,5 cm (the teapot) Dia.: 12 cm - H.: 6 cm (the b

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Belgian Carved Fruitwood 'Peacock' Bedroom Suite: late 19th / early 20th century; comprising a bed frame (overall: 66.5 in. high; 87 in. wide; 96.5 in. deep; interior: 78 x 89 in), two marble-top nightstands (46.5 x 19.25 x 18 in.), and an armoire (1

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Jean-Michel Folon (Belgian, 1934-2005), Soixante quatorzieme pensÃ©e (F474): Jean-Michel Folon (Belgian, 1934-2005), Soixante quatorzieme pensÃ©e (F474)created in 2000, patinated bronze, signed FOLON to base, edition number 13/50, with BRONZE ROMAIN BARELIER foundry stamp. 1

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Jean-Michel Folon (Belgian, 1934-2005), La ville en marche (F215): Jean-Michel Folon (Belgian, 1934-2005), La ville en marche (F215)created in 2000, patinated bronze, signed FOLON to left foot, edition 13/50, with BRONZE ROMAIN BARELIER foundry stamp to square base.

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Jan Frans Verhas (Belgian, 1834-1896) On the dunes: Jan Frans Verhas (Belgian, 1834-1896) On the dunes signed and dated 'Jan Verhas 88' (lower right) oil on canvas 75 x 54cm (29 1/2 x 21 1/4in). This lot is subject to the following lot symbols: *

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Charles Hermans (Belgian, 1839-1924): Charles Hermans (Belgian, 1839-1924) "Contemplation" oil on canvas signed lower left. Framed. 40-1/2" x 55", framed 48-1/2" x 63" Provenance: Carlo Bonte Auctions, Bruges, Belgium, September 26, 20

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European Flemish Tapestry wool 17th century Belgian: European Flemish Tapestry wool 17th century, Belgian or Dutch; Size: Approximately 7 x 8 feet = 210 cm x 240 cm; Condition: used, several repairs, refer to the photos, please; Low Estimate: 20000; Hig

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LARGE BELGIAN TAPESTRY, late 16th Century: The Garden of Maximillian II, signed 'OB_NDC', depicting Maximillian II and his wife Maria of Spain walking in the gardens of 'Neugebaude' Castle near Vienna h. 10 ft. w. 10 ft. 6 in. Provenance: Priv

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Jacques Dupuis (Belgian, 1914 - 1984): Prototype for a Seat for the ESMA in Malmedy - 1947 Oak and leather H. 98 cm, W. 71,5 cm, D. 92,5 cm, seat H. 43,5 cm After the war, Jacques Dupuis designed the decoration, wall lamps, and part of the

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Pieter De Bruyne (Belgian, 1931-1987): Cupboard "Kontrast" - 1984 Painted wood, granite, and marble 92 x 75 x 75 cm Provenance: AndrÃ© Van Schuylenbergh collection, Aalst Literature: Christian Kieckens, Eva Storgaard, Pieter de Bruyne 19

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Large Belgian Ebonized Oak Livery Cabinet: An Extraordinary 19th Century Belgium ebonized oak cabinet having stepped cornice over six raised panel doors framed by simple pilasters. Interior with open shelves. This cabinet of massive scale exud

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Item Details

Description

CARINE NEUTJENS (BELGIAN 1956-)
CORAL LARGE OBJECT
pâté de verre glass
17.5cm high, 30.5cm wide (6 7/8in high, 12in wide)
Galerie Phase, April 2015;The Steve Allison Collection.
Carine Neutjens is a Belgian artist whose work in glass is deeply evocative of natural elements such as lava or coral and possess a vulnerability that is rooted in organic forms. Born in 1956, Neutjens began her engagement with glass in 1995 when she enrolled in ceramics and sculpture classes at the Academie Mechelen in her home town. Her signature use of the pâte-de-verre technique enables Neutjens to create sculptures that appear almost living due to their glistening texture. Neutjens’ work represents the creative spirit and sensibilities of contemporary craftspeople working today, through to her dynamic vision and intimate application of technique.