RAPHAEL SOYER FEMALE STUDY OIL PAINTING w/ FORUM GALLERY LABEL

American, 1899-1987
Studies, 1975
Signed RAPHAEL SOYER (lr)
Oil on canvas
20 x 16 in

Provenance:
Forum Gallery, New York

Frame dimensions: 20 3/4 x 16 3/4 inches
Condition: Blacklights near-perfectly with 99% original surface paint.No apparent restoration. In overall excellent condition.

BACKGROUND:
Raphael Soyer (1899-1987) was a U.S. painter and printmaker. Born in Borisoglebsk, Russia, Raphael Soyer was one of three of the six Soyer children – along with his twin brother Moses Soyer and younger brother Isaac Soyer – who became artists. In 1912, when the family was forced to leave Russia because their Right to Live permit was revoked, they immigrated to the United States, settling in the Bronx.

After taking drawing classes at the Cooper Union (1914–17), Soyer studied at the National Academy of Design (1918–22) and the Art Students League, where he attended classes intermittently from 1920 until 1926. Soyer enjoyed his first one-man show at New York's Daniel Gallery in 1929. It was there that his painting Dancing Lesson (1926, Collection Renee and Chaim Gross, New York), often understood as the exemplar of Jewish American art, was first exhibited publicly.

Throughout his career, Soyer was interested in Social Realist themes, which he both painted and showed in prints. During the Great Depression he often created dark-hued, compassionate renderings of the down-and-out in works such as In the City Park (1934, private collection, New York).

Soyer retreated into his studio in the 1940s and 1950s. Indeed, self-portraits at his easel and studio scenes of female nudes comprise Soyer's artistic interests at this time, as did portraits of his artist-friends and artists he admired. At a 1941 one-man show at the Associated American Artists Gallery, 23 of Soyer's artist-portraits were exhibited in a section entitled My Contemporaries and Elders. Among the paintings displayed were portraits of Phillip Evergood and Abraham Walkowitz.

In the late 1950s, Soyer started to paint outdoor scenes again, most of which were figurative canvases, such as Farewell to Lincoln Square (1959, Hirshhorn Museum and Sculpture Garden, Washington, D.C.). Inspired by Soyer's eviction from the Lincoln Arcade Building, where he kept a studio for 14 years, the large, colorful painting includes a self-portrait of the artist.

Remaining a representational artist in an abstract art scene, Soyer founded the periodical Reality: A Journal of Artists' Opinions, published annually from 1953 to 1955 to declare the importance of imaging man and his world.

Excellent, blacklights near-perfectly with 100% original surface paint. No apparent restoration.