Attributed to Vicente Manansala, no coa, private collection, medium: oil, measurements: 33"WX42"H framed, mint condition, Biography: Vicente Silva Manansala was a Filipino cubist painter and illustrator. One of the first Abstractionists on the Philippine art scene Vicente Manansala is also credited with bridging the gap between the city and the suburbs, between the rural and cosmopolitan ways of life. Manansala was born on January 22, 1910 in San Roque, Macabebe, Pampanga.From 1926 to 1930, he studied at the U.P. School of Fine Arts. In 1949, Manansala received a six-month grant by UNESCO to study at the École des Beaux-Arts in Banff and Montreal, Quebec, Canada. In 1950, he received a nine-month scholarship to study at the École des Beaux-Arts in Paris by the French government.He also trained at the Otis School of Drawing. Manansala's paintings are the best and were celebrated as the best of the barrio and the city together. His Madonna of the Slums is a portrayal of a mother and child from the countryside who became urban shanty residents once in the city. In his Jeepneys, Manansala combined the elements of provincial folk culture with the congestion issues of the city.Manansala developed transparent cubism, wherein the "delicate tones, shapes, and patterns of figure and environment are masterfully superimposed". A fine example of Manansala using this "transparent and translucent" technique is his composition, kalabaw (Carabao)