Ca. 12th century AD. A large ewer, crafted with remarkable skill and precision. Its cylindrical body is adorned with intricate ribbing, standing on a flared concave foot, adding a majestic aura to its presence. Rising from a flat shoulder is a tall neck, boasting a prominent spout with a zoomorphic beast carved within. On both sides of the neck, relief lions stand in elegant repose, lending an air of regality to the vessel. To the rear, an arched handle connects the neck to the body. Nearly the entire surface of this magnificent ewer is engraved with intricate patterns, interlacing and flowing with the grace of a calligrapher's pen. Each detail is imbued with meaning and significance, from the choice of patterns to the carefully rendered calligraphy. The Islamic world was renowned for its mastery of metalwork, from bronze and brass to silver and gold. The art of the metalworker was highly valued, and their creations were coveted by rulers and elites alike. Islamic metalwork is distinguished by its intricate patterns, calligraphy, and symbolic motifs, which speak to the richness of Islamic culture and the artistry of its people. Cf. Georgian National Museum, S. Janashia Museum of Georgia (135)Size: L:390mm / W:210mm ; 1.4kgProvenance: Private London collection of Early Islamic Art - M.A.; formerly acquired on the UK art market since the 1980s.