Artist: Fu Baoshi 傅抱石 (1904 - 1965)
Waterfall Landscape
Painting (Sight): Length: 55.5 cm, Width: 28.6 cm
Dated: Second Month of 1943
Signed/Seal(s): Signed, with Artist seal

PROVENANCE: The Exceptional Collections of Lieutenant General Cai Wenzhi 蔡文治 (1911 - January 9, 1994), Courtesy Name: Ding Wu 定武, Spouse: Madame Wu Peiqi 吳佩琪 (Wu Peifu's 吳佩孚's younger sister). Cai Wenzhi born in Huanggang County, Hubei Province (Xinzhou District, Wuhan City). Graduated from the ninth period of the Whampoa Military Academy and the thirteenth period of the Army University. Lieutenant General of the National Revolutionary Army.

For more information about General Cai Wenzhi 蔡文治, please follow this link: http://www.LaurenAuctions.com/CaiWenzhi/

The collections of General Cai Wenzhi 蔡文治 presented and offered up to auctions:
ON DAY - 1: From Lot - 85 through Lot - 161, and continued from Lot - 319 through Lot - 350.
ON DAY - 2: from Lot - 463 through Lot - 533, and continued from Lot - 699 through Lot - 740.

LOT NOTES/ ARTIST BIO:
Fu Baoshi 傅抱石, or Fu Pao - Shih, (1904 - 1965) was a Chinese painter from Xinyu, Jiangxi Province. He went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition.He was the Director of the Jiangsu Province Chinese Painting School and a Vice - Chairman of the Federation of Chinese Artists. He also taught in the Art Department of Central University (now Nanjing University). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. He was able to create an old, elegant style through his integration of poetic atmosphere and painting techniques. He has held many personal exhibitions in China and has won favorable comments.Fu had strong feelings towards the land of China. During his travel to many places, he recorded the splendors of the rivers and mountains, drawing inspiration from nature and becoming the representative landscape painter of his time.Fu wrote numerous fine arts theses, the earliest of which, "On the Evolution of Chinese Paintings", was written at the age of 25. He also carried out in - depth research into the history of landscape painting at the end of the 4th century BC, including the works of Gu Kaizhi of the Eastern Jin Dynasty (317 - 420) Zhan Ziqian of the Sui Dynasty (581 - 618) and Jing Hao of the Five Dynasties Period (907 - 960) as well as Wu Daozi, Li Sixun, Li Zhaodao and Zhang Yanyuan of the Tang Dynasty (618 - 907). He worked very hard to imitate paintings by Gao Kegong and Ni Zan of the Yuan Dynasty (1271 - 1368) Chen Hongshou of the Ming Dynasty (1368 - 1644) and Cheng Sui, Kun Can, Zha Shibiao, Gong Xian, Mei Qing, Wui Li, Yun Shouping and Shi Tao of the Qing Dynasty (1644 - 1911) finally becoming one of the master painters of his age. In this capacity he succeeded Huang Binhong, who had created a new style of landscape painting called "Baoshi wrinkle" basing on the cattle - hair wrinkle of Wang Meng of the Yuan Dynasty.As well as painting landscapes, Fu Baoshi was also an accomplished painter of figures. His paintings of ancient Chinese figures from the 3rd and 4th centuries BC are particularly acclaimed.As a leader of the so - called New Chinese Painting Movement, which reformed traditional Chinese painting after 1949, Fu stood out from most of his contemporaries with his great passion for art, and his innovative brushwork and unique picture composition.Fu's reforms were followed by a group of artists in Nanjing where he then lived. He was recognized as the founder of the Nanjing - based New Jinling School of Fine Arts. The school included such important artists as Chen Zhifo (1896 - 1962) Qian Songyan (1898 - 1985) Song Wenzhi (1919 - 1999) Wei Zixi (1915 - 2002) and Ya Ming (1924 - 2002).Fu Baoshi was a great admirer of Shi Tao and, at the age of 18, changed his name to "Bao Shi" - meaning embracing "Shi Tao". He even wrote a chronicle of Shi Tao, recording his life experiences and social activities as well as his art creations. Fu Baoshi admitted that he was obsessed with the study of Shi Tao's painting.

Over all in EXCELLENT Condition. Natural imperfection on the medium (paper or silk), regardless from any major damages; includes light blooms, discoloration and minor fading. Consider normal due to the ages. Frame with normal anomalies in nature, sign of stressed surface, minor scratch & dents. Surface traced wear and or declined to gilding. Normal, consider ages and wear.
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