ADOLF DIETRICH 1877-1957 SWISS OIL PAINTING ON BOARD SNOW LANDSCAPE. Date 1932. Image size 12in by 9in. With frame size 13in by 10in.

Adolf Dietrich was born to poor farmers in the canton of Thurgau as the youngest of seven children. Upon discovering his exceptional graphical talents, his schoolteacher suggested that he become a lithographer. His parents, however, refused: their youngest son was needed as a farmhand.

Dietrich would remain in the house of his parents, as a bachelor, for the rest of his life.[1] Because the small farm provided little income, he had to work as a home worker and as a day labourer in a local textile mill as well as in the woods.[1] Only on Sundays was he free to engage in drawing and painting. His first sketchbook dates to 1896, his first paintings to 1900. He created his works without any training or examples; but he did heed the advice of passing landscape painters to trust in his powers of observation.

For years, Dietrich tried without success to have his works shown in public. After his works were first shown in Konstanz in 1913, he received some recognition in Germany, where he was associated with the Neue Sachlichkeit movement and called the "German Rousseau". In 1924, Dietrich was able to cease his home work thanks to the still meager income provided by the sale of his works in Germany.

The income from Germany ceased with the Nazi Machtergreifung in 1933 and the flight of his Jewish art dealer, Herbert Tannenbaum. However, Swiss museums and galleries were now slowly growing interested in Dietrich, and his international breakthrough came in 1937–38, when the exposition Les maîtres populaires de la réalité in Paris, Zürich und New York City fêted him as the principal representative of naïve art.

Dietrich retained his modest lifestyle in the face of sudden fame and demand for his works. He was, however, industrious in marketing the output of the "master painter of Berlingen", as he now called himself. At times, he used (upon his clients' wishes) cardboard templates for the serial reproduction of particularly popular motifs. Only Dietrich's few late works prior to his death in 1957 indicated any stylistic development.

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Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

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