ALASI AUDLA TULLAUGAK, INUIT, Stretching a Skin, 1962 #80
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Description
ALASI AUDLA TULLAUGAK (1935-) PUVIRNITUQ (POVUNGNITUK)
Stretching a Skin, 1962 #80
Printmaker: ALASI AUDLA TULLAUGAK (1935-) PUVIRNITUQ (POVUNGNITUK)
stonecut, 17 x 15 in (43.2 x 38.1 cm)
13/30
Provenance
Private Collection, Minneapolis, U.S.A.
Ostensibly, Alasie Audla has captured a rather everyday scene of a woman stretching an animal skin. However, Stretching a Skin is a brilliant, symbolically charged image of womanhood. The woman’s body is hidden behind the skin and stretcher, which however tapers downward to suggest the traditionally female form of wide shoulders and narrower waist. The way in which this image visually unifies a traditional woman’s work with her very body can ultimately be read as a celebration of womanhood, acclaiming women’s various contributions to their communities.
Alasi Audla was one of the few women artists to participate in print production in the early years of Puvirnituq printmaking. She designed and cut her own stone blocks and probably printed her earliest prints as well.
References: This image is reproduced in Helga Goetz, The Inuit Print, international travelling exhibition, (Ottawa: National Museums of Canada and the Department of Indian and Northern Affairs, 1977), pl. 78, p. 146.
Stretching a Skin, 1962 #80
Printmaker: ALASI AUDLA TULLAUGAK (1935-) PUVIRNITUQ (POVUNGNITUK)
stonecut, 17 x 15 in (43.2 x 38.1 cm)
13/30
Provenance
Private Collection, Minneapolis, U.S.A.
Ostensibly, Alasie Audla has captured a rather everyday scene of a woman stretching an animal skin. However, Stretching a Skin is a brilliant, symbolically charged image of womanhood. The woman’s body is hidden behind the skin and stretcher, which however tapers downward to suggest the traditionally female form of wide shoulders and narrower waist. The way in which this image visually unifies a traditional woman’s work with her very body can ultimately be read as a celebration of womanhood, acclaiming women’s various contributions to their communities.
Alasi Audla was one of the few women artists to participate in print production in the early years of Puvirnituq printmaking. She designed and cut her own stone blocks and probably printed her earliest prints as well.
References: This image is reproduced in Helga Goetz, The Inuit Print, international travelling exhibition, (Ottawa: National Museums of Canada and the Department of Indian and Northern Affairs, 1977), pl. 78, p. 146.
Condition
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NOTE
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NOTE
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.
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ALASI AUDLA TULLAUGAK, INUIT, Stretching a Skin, 1962 #80
Estimate CA$600 - CA$900
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