Attributed to Maud Florance Gatewood, it does not have a COA. Medium: oil canvas. 20 x 16 inches. Provenance: private owner.
Biography: 1934 - 2004. The daughter of the Caswell County sheriff, Maud Gatewood was born and raised in the rural town of Yanceyville, NC. She began her art studies at the age of 10 at Averett College in Danville, VA. In 1954 she graduated from North Carolina Woman's College (now UNC-Greensboro) with a B.F.A., studying under Gregory Ivy. The next year she earned her M.F.A. in Painting from Ohio State, and in 1963 she was awarded a Fulbright grant to study under Oskar Kokoschka in Austria. She returned to North Carolina in 1964, where she was founding head of the Art Department at UNC-Charlotte. She was a faculty member of UNC-Charlotte until 1973. In 1975, she returned to Caswell County and became a professor of art at Averett College, a position she held until her retirement in 1997. Over the course of her life-long career as an art educator, she reached students far beyond NC and VA.Gatewood exhibited widely throughout the Southeast and her work is now one of the most collected and sought after of NC artists. She is represented in numerous public and private collections including the National Museum of Women in the Arts, Washington, D.C.; North Carolina Museum of Art, Raleigh, NC; Asheville Art Museum, Asheville, NC; Weatherspoon Art Museum, Greensboro, NC; Nasher Art Museum at Duke University, Durham, NC; and Coca-Cola, Atlanta, GA. An exhibition of her paintings curated by Lee Hansley, North Carolina Collects Maud Gatewood, is on view in the Betty Ray McCain Art Gallery at the Duke Energy Center for the Performing Arts through September 28, 2018.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Mint, based on the description.