Flemish work; 17th century.
"Heraldic coat of arms".
Carved alabaster.
It has a 19th century frame with slight faults.
Measurements: 24 x 22 cm; 39 x 34 cm (frame).
Coat of arms made in alabaster whose material qualities produce a translucent and shiny result that enriches the finish of the piece. The piece is defined by a coat of arms without division into quarters, decorated with longitudinal stripes. The bell has the usual helmet, which is very common on coats of arms. However, the crest, i.e. the upper area, is topped in this case by an arm holding a sword in its hand in an attacking attitude.
Heraldic designs became widespread among the European nobility in the 12th century. Hereditary and systematic heraldry had developed by the early 13th century. Exactly who had the right to bear arms, by law or social convention, although this law varied to some extent between countries. The earliest heraldic designs were personal, used by individual nobles, who could also alter their chosen design, although coats of arms became hereditary in the late 12th century, in England by King Richard I during the Third Crusade (1189-1192). In the late medieval period, the use of heraldic coats of arms spread to the clergy, to cities as civic identifiers, and to royal-authorised organisations such as universities and commercial enterprises. The term coat of arms originally refers to the surcoat with heraldic designs worn by combatants, especially in the knightly tournament, in Old French cote a armer. Although there is no common and predictable generalised regulation, heraldry has remained constant throughout Europe, where tradition alone has governed the design and use of arms.