Lot 0133

Pedro Sanchez de Movellan (b. 1967, American)

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Pedro Sanchez de Movellan (b. 1967, American): Chrono, 1998 Stainless steel, mahogany, and bronze Sigend and numbered to base: P. Movellan / 3274 35" H x 32" W x 9" D Literature: Maxwell Davidson IV and Charles C. Davidson, "Pedro S. De Movel

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Pedro Sanchez de Movellan (b. 1967, American): Open Face, 1999 Aluminum and stainless steel Incised signature and date to underside: P. Movellan / 3/99 14" H x 11.75" W x 8" D Provenance: Property of an Estate, Beverly Hills, CA Literature:

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Scott Cameron (American, DE, b 1946), oil on board, The: Scott Cameron (American, DE, b 1946), oil on board, The USS Pittsburgh, signed lower right, 8" x 10" board, 14-1/4" x 16-1/2" overall

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Thomas De Decker (b. 1951, American): Landscape with trees Watercolor on paper under glass Signed lower right: Tom A. DeDecker, and with the copyright symbol Sight: 22.5" H x 29.5" W

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D.E. May (b. 1952, American): "Untitled," 2000 Mixed media on board under glass Initialed lower left: D. M.; titled and dated on a gallery label affixed to the frame's backing paper 7.75" H x 5.5" W Provenance: PDX Contempora

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D.E. May (b. 1952, American): "Endes," 2013 Found papers and materials, cardboard, plaster of Paris, acrylic, watercolor, ink, and graphite Initialed, dated, and inscribed verso: DM 13 / INV. DM-13-08-613 / 9-1 3.5" H x 3.75" W

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JOHN DE KAY (b. 1932, American) Abstract, Untitled: Oil on canvas 33 x 29 in

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Juan Sanchez (American, b. 1954) Colonialism is the: Juan Sanchez (American, b. 1954) Colonialism is the Real AIDS, 2000 lithograph signed, dated and numbered 9/12 in pencil 21 1/2 x 29 1/4 inches. Provenance: Collection of Joyce and Nick Pabst, Milwa

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Pedro Joseph de Lemos, Where Tree and Ocean Meet: Pedro Joseph de Lemos (American, 1882-1954) Where Tree and Ocean Meet color woodcut titled and signed 8 3/4" x 8 7/8" Catalog Note: The career of Pedro Joseph de Lemos was multifaceted and he had a pr

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Pedro J. De Lemos woodcut: Pedro J. De Lemos (American 1882-1954)- ''Stanford Roofs''- woodcut in colors, ca. 1920, signed and titled in pencil. 6 3/8 x 4 1/2''

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Pedro Joseph de Lemos "Windmills" Etching: Pedro Joseph de Lemos (American, 1882-1954). Etching on paper titled "Windmills of Mallorja," depicting a line of windmills in a landscape while a shepherd strolls past with his sheep. Penci

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30 MOSTLY AMERICAN LINO CUT PRINTS C.1925-1940: A GROUP OF 30 MOSTLY AMERICAN LINO CUT AND OTHER PRINTS, CIRCA 1925-1940. Comprising a fine etching by Pedro Joseph de Lemos (American 1882-1954), 'California Coast', signed lower right, 7.75 x 4.3 i

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Julio Da Cunha (Colombian/American, DE, b 1929), oil on: Julio Da Cunha (Colombian/American, DE, b 1929), oil on board, "Visitation 5", signed and dated '63 lower left, extensive craquelure and flaking, 31-1/2" x 29-3/4" sight, 33-1/4" x 31-1/2" overall, 19

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* David Klamen, (American, b. 1961), De Kooning Women,: * David Klamen (American, b. 1961) De Kooning Women, 1998 ink and watercolor 12 3/4 x 19 inches. Estimate $1,000-2,000 Property from the Estate of Billie Ross, Chicago, Illinois Provenance:

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THOMAS DE DECKER (American b. 1951) A PAINTING, "Lilies and Flowers - Artist's Pond," 2023: THOMAS DE DECKER (American b. 1951) A PAINTING, "Lilies and Flowers - Artist's Pond," 2023, oil on board, signed L/R, "Thomas de Decker," titled, signed, and dated on reverse, "Lilies & Flowers - Arti

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THOMAS DE DECKER (American b. 1951) A PAINTING, "Red Lilies," 2023,: THOMAS DE DECKER (American b. 1951) A PAINTING, "Red Lilies," 2023, oil on board, signed L/L, "Thomas de Decker," also titled and signed on reverse; 7" x 5", framed 13 1/4" x 11 1/4".

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Pedro Sanchez de Movellan (b. 1967, American)

Item Details

Description

Sail, 1998
Mahogany, aluminum, and stainless steel
Appears unsigned
72" H x 28" W x 10" D, dimensions variable

Provenance: Property of an Estate, Beverly Hills, CA

Literature: Maxwell Davidson IV and Charles C. Davidson, "Pedro S. De Movellan Complete Works: 1990-2012" (Atglen, PA: Schiffer, 2013), 110.

Condition

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Approximately two fins slightly out of round with very minor bending.