Lot 0127

Jess von der Ahe (b. 1966, American)

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Jess von der Ahe (b. 1966, American): Transmission, 1998; and "Untitled (aka "The Bishop")," 1999 Each: Blood, gold leaf and epoxy resin on panel Each: Signed, titled and dated verso: von der Ahe; signed [indistinct] and dated again on

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Bernd Haussman "Das Lied Von Der Erde" Mixed Media: Bernd Haussman (American, b. 1957), "Das Lied Von Der Erde", Mixed Media on Paper, signed upper right, housed in a metal frame, "Stephen Haller Gallery" label to verso, circa 2001. Image: 30.5" H x 22

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N172 Old Judge Baseball Card Chris Von Der Ahe: Brown's Champions Pop 10 - Please see photos for details and condition.

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Group of four framed pieces to include still life oil: Group of four framed pieces to include still life oil on canvas of flowers signed Von der B...? 64, copper enameled plaque Aiva, oil on masonite abstract signed Ross, and oil on board Cuba 57 signed R

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FRANK VON DER LANCKEN (AMERICAN, 1872-1950).: Pair of works: Oklahoma Landscape with Oil Wells & Portrait of Oklahoma Woman with Basket. Both oils on board. Each signed at lower right. The Landscape is inscribed on the back in pencil. From fa

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FRANK VON DER LANKEN (AMERICAN 1872-1950): FRANK VON DER LANKEN (AMERICAN 1872-1950) Connecticut River, oil on canvas 50 x 40 cm (19 1/4 x 16 in.) signed lower left CONDITION Observed in frame. Inspection under UV shows light retouching in th

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Jess B. Smith (American, 20th Century) God's Cattle: Jess B. Smith (American, 20th Century) God's Cattle oil on board signed and titled (verso) 24 x 48 inches Property sold to benefit the Acquisitions Fund of the Buffalo Bill Center of the West

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Frank Von der Lancken (1872-1950) American, O/C: Exquisite oil on canvas titled "Valley in Summer" by Frank Von Der Lancken and is signed and dated 1909 in the lower right. It is a bright landscape scene that is very well done with great detail in t

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Frank Von Der Lancken (1872-1950) American, O/B: Oil on board landscape painting by Frank Von Der Lancken signed in the lower right. Appealing landscape of a delicate field with fall colors. Sight: 21 1/2 x 29 1/2 in. Overall: 28 x 36 in. Provenance

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R. Anuskiewicz Der Spiegel Portfolio: 6 Seritypian: Richard Joseph Anuszkiewicz (American, b.1930. "Der Spiegel Portfolio: Six Seriypien" - 1965, six serigraphs on Schoellers Hammer Karton paper board, limited edition of 125 (edition numbers noted on t

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After Ludwig Mies van der Rohe (American, b. Germany,: After Ludwig Mies van der Rohe (American, b. Germany, 1886-1969) Set of Eight "BRNO" Style Armchairs, Gordon International, New York, NY, circa 1970s Chromed steel, upholstery One chair with applied m

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Frank Von Der Lancken (1872 - 1950) American, O/B: This is quite a spectacular painting by Frank Von Der Lancken. It depicts an interior scene of a museum including several interesting subjects. It appears to be a social satire that will catch any eye

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After Ludwig Mies van der Rohe (American, b. Germany,: After Ludwig Mies van der Rohe (American, b. Germany, 1886-1969) "Barcelona" Style Daybed, circa 1970s Leather, chromed steel, wood Unmarked. H: 17 1/2, L: 77, W: 38 in.

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Jess Dubois (American, b. 1934) Rot Gut: Jess Dubois (American, b. 1934) Rot Gut acrylic on canvas signed Jess Dubois (lower left) 11 x 14 inches

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AUGUST VON MUNCHHAUSEN - (AMERICAN, B. 1908) - BA: AUGUST VON MUNCHHAUSEN - (AMERICAN, B. 1908) - BALLET DANCERS - New York 1940 - Facsimile - Framed, matted, and glazed - 15 1/4 x 11 1/4 in. (sight) - -- Dimensions: ---

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Item Details

Description

Untitled (aka Sweets of Sin")," 1999
Blood, gold leaf and epoxy resin on panel
Signed, titled, dated, all verso: von der Ahe; signed [indistinct] and dated again, and inscribed "NYC," all on the gallery label affixed verso
14" H x 11" W

Provenance: Jay Grimm, New York, NY

Notes: New York-based artist Jess von der Ahe has made her name in the art world by using an unorthodox (and what some consider to be taboo) medium for her paintings: her menstrual blood, combined with gold leaf and covered with resin, which ensures that the blood does not decay or crack.

While von der Ahe's use of this medium may be nontraditional, her working method is a form of personal expression that is intensely autobiographical. The compositions of her blood paintings often resemble a cell-like structure, resulting in a style that highlights the connection between menstrual blood and the essential elements of life. Von der Ahe's blood paintings also seek to make the discussion of reproductive health less taboo. While conceptually intense, von der Ahe's abstract paintings offer a captivating juxtaposition between the "wasteful"? nature of the menses and the coveted and finite element of gold.

Condition

Generally very good condition. A few scattered, slight, surface scratches or scuffs, the largest approximately 2" long, visible only in raking light. Unframed.

Overall: 14" H x 11" W x 1" D