SIMA TUKAI, INUIT, Man's Head, c. 1960
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Description
SIMA TUKAI (1911-1967) INUKJUAK (PORT HARRISON)
Man's Head, c. 1960
stone, 9.5 x 7.5 x 8.25 in (24.1 x 19.1 x 21 cm)
inscribed with disc number and signed, "E9927 / ᓴᐃᒪ / ᑐᑫᐃ".
Provenance
Private Collection, British Columbia.
Exhibited
Kingston, Agnes Etherington Art Centre, Selections from The John and Mary Robertson Collection of Inuit Sculpture, 20 July -19 October 1986, cat. 38.
Published
Jean Blodgett, Selections from The John and Mary Robertson Collection of Inuit Sculpture, (Kingston: Agnes Etherington Art Centre, 1986), cat. 58, reproduced p. 59.
Although many artists probably thought of themselves and their families when they carved hunting and domestic scenes, actual portraiture was uncommon in Inuit art in the late 1950s and early ‘60s. Of the several quite engaging portrait heads created in Inukjuak in this period, this example is among the largest and finest that we have encountered. Rather than trying to smooth out the effects of time, Tukai has chosen to emphasize and even exaggerate the furrowed brow, wrinkles, and crow’s feet on this handsome fellow’s face. We cannot help but wonder which member of the artist’s family inspired this fascinating sculpture. Perhaps it is even a self-portrait.
References: See the work and commentary in Jean Blodgett, Selections from The John and Mary Robertson Collection of Inuit Sculpture(Kingston: Agnes Etherington Art Centre, 1986), cat. 38. For another example see Head from 1962, illustrated in Jean Blodgett, Port Harrison / Inoucdjouac, (Winnipeg: Winnipeg Art Gallery, 1976), cat. 71.
Man's Head, c. 1960
stone, 9.5 x 7.5 x 8.25 in (24.1 x 19.1 x 21 cm)
inscribed with disc number and signed, "E9927 / ᓴᐃᒪ / ᑐᑫᐃ".
Provenance
Private Collection, British Columbia.
Exhibited
Kingston, Agnes Etherington Art Centre, Selections from The John and Mary Robertson Collection of Inuit Sculpture, 20 July -19 October 1986, cat. 38.
Published
Jean Blodgett, Selections from The John and Mary Robertson Collection of Inuit Sculpture, (Kingston: Agnes Etherington Art Centre, 1986), cat. 58, reproduced p. 59.
Although many artists probably thought of themselves and their families when they carved hunting and domestic scenes, actual portraiture was uncommon in Inuit art in the late 1950s and early ‘60s. Of the several quite engaging portrait heads created in Inukjuak in this period, this example is among the largest and finest that we have encountered. Rather than trying to smooth out the effects of time, Tukai has chosen to emphasize and even exaggerate the furrowed brow, wrinkles, and crow’s feet on this handsome fellow’s face. We cannot help but wonder which member of the artist’s family inspired this fascinating sculpture. Perhaps it is even a self-portrait.
References: See the work and commentary in Jean Blodgett, Selections from The John and Mary Robertson Collection of Inuit Sculpture(Kingston: Agnes Etherington Art Centre, 1986), cat. 38. For another example see Head from 1962, illustrated in Jean Blodgett, Port Harrison / Inoucdjouac, (Winnipeg: Winnipeg Art Gallery, 1976), cat. 71.
Condition
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NOTE
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NOTE
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.
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SIMA TUKAI, INUIT, Man's Head, c. 1960
Estimate CA$4,000 - CA$6,000
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