Abstract painting by Dorr Bothwell, San Francisco
Painting: 10.25" x 13.5"
Frame: 15" x 18"

Davids notes: A rare work of art by this persistently good West Coast abstract artist from the Post war period. The work was part of the San Francisco Museum of Modern Art lending program, and you could have rented it for .25c a day, if you can believe the situation then, a similar arrangement was done in NYC at the MoMa, it relieved the Museums of storage at the same time brought "art to the people". To fulfill the label on the reverse, the title of the painting is Landscape in the Head, the address of the SFMMA is 728 Montgomery Street, San Francisco 11,Cal.

Dorr Bothwell
Wiki: Dorr Hodgson Bothwell (May 3, 1902 - September 24, 2000) was an American artist, designer, educator, and world-traveler. A varied artist, Bothwell was considered a part of the Bay Area Surrealist artist scene and has paintings, drawings, collages, and prints in notable museums throughout the world. She was particularly known for her innovative use of serigraphy as a fine art form. Born in San Francisco, California, and later raised in San Diego, California, Bothwell knew from the age of 4 that she wanted to be an artist. As a teenager, she studied dance at the Ratliff School for Dancing. Her art career began at the California School of Fine Arts (now the San Francisco Art Institute) in 1921 under the tutelage of Gottardo Piazzoni and Rudolph Schaeffer. Bothwell was married to sculptor Donal Hord in 1932 but divorced shortly after likely due to her independence in traveling and difference of opinion on "domestic duties".

Bothwell's travels began in 1928, after her father died. Her destination, Samoa, was influenced by watching the film Moana and a desire to live cheaply after a change in her financial situation. She spent 1928 and 1929 living and working in Samoa where she learned the language, and was appointed taupo, adopted daughter of a Samoan village chief. Upon consenting to be tattooed, she was accepted as a full Samoan, and subsequently learned their songs, dances and ceremonies.

She spent another two years in Europe before resettling in San Diego in 1932, where she married her childhood friend, sculptor Donal Hord. Separating from Hord, she moved to Los Angeles in 1934, joining the post-surrealist group around Lorser Feitelson and Helen Lundeberg, and participating in the mural division of the Federal Arts Project, where she learned the art of screenprinting, which would become her favored graphic technique. She returned to San Francisco in 1942. She traveled to Paris in 1949/51, to Africa in 1966/67, to England, France and the Netherlands in 1970, to Bali, Java and Sumatra in 1974, and to China and Japan in 1982/85.

In 1968, Dorr Bothwell and Marlys Mayfield wrote Notan -- on the Interaction of Positive and Negative Spaces. It was first reissued in 1976, and the first Danish translation was published in 1977. In 1991 the book was republished by Dover Publications as Notan: The Dark-Light Principle of Design; it has been in print continuously since then.

Bothwell received many honors in her lifetime, including an Abraham Rosenberg Fellowship, the 1979 San Francisco Women in the Arts Award and two Pollock-Krasner grants for 1998-2000. Her art is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, the Whitney Museum of American Art, the Bibliotheque Nationale in Paris, the Victoria & Albert Museum in London and the Hunterian Museum and Art Gallery, Glasgow, Scotland.

Bothwell taught at the San Francisco Art Institute, the Mendocino Art Center, the Parsons School of Design in New York, the Ansel Adams Photography Workshops in Yosemite and the Victor School of Photography in Colorado.

Good condition overall