Lot 0020

Eduard Wiiralt (Estonian 1898 - 1954)

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Eduard Wiiralt (Estonian 1898 - 1954): Viljandi maastik. 1943. Graafika (Kuivnõel). Plm 38.7 x 65.9 cm. Lm 59.9 x 83.2 cm. 1943. aasta suvel viibis Wiiralt Uusna mõisas Viljandimaal. Sellest mõni kilomeeter eemal, tollal Goo

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Eduard Wiiralt (Estonian 1898 - 1954): Wiiralti lehe modelliks oli “Estonia” noor tantsijatar Astrid Arak, kelle järgi ta graveeris 1945.a. Stockholmis trükitud “Lamava akti “(õieti “Lamava supl

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Eduard Wiiralt (Estonian 1898 - 1954): Istuv daam (1941). Graafika (Metsotinto). Plm 49.8 x 32.7 cm. Wiiralti teine kodumaal loodud metsotinto, mille modelliks oli preili Tall. See vana, 17. sajandil leiutatud graafikatehnika, mille Ãµit

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Eduard Wiiralt (Estonian 1898 - 1954): Ameerika kunstnik Martin Baer (1894-1961) võttis Wiiraltilt gravüüritunde. Ta oli elanud Marokos, seetõttu on ta portreel riietatud valgesse ning raamatus on tal pilt tiigrist (por

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Eduard Wiiralt (Estonian 1898 - 1954): Naine kraega Tsilindriga.1928. Graafika (Akvatinta, Ofort). Plm 17 x 11.9 cm. Suurus raamiga: 40.5 x 33.6 cm. Esimestel Pariisi-aastatel lõi Wiiralt mitmeid tugeva erootilise värvinguga s

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Eduard Wiiralt (Estonian 1898 - 1954): Eduard Wiiralt omandas kunstihariduse aastatel 1915-18 Tallinna Kunsttööstuskoolis, 1919-24 Tartus “Pallases”, kus lõpetas skulptuurieriala. Juba kooliajal täiendas ta

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Eduard Wiiralt (Estonian 1898 - 1954): Kahepoolne: Noor araablane (1940) ; Kristjan Raua portree (1939). Graafika (Kuivnõel, Metsotinto). Kristjan Raua portree. Kuivnõel. Plm 49.2 x 32.5 cm., Saabunud 1939. aasta septembris Eesti

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Eduard Wiiralt (Estonian 1898 - 1954): Orgia. 1928. Graafika (Ofort). Plm 8.8 x 11.8 cm. Lm 16.1 x 21 cm. Suurus raamiga: 30.5 x 31 cm. Oluline vÃ¤ike gravÃ¼Ã¼r, mis on samaaegne ofordiga "Seltskond" ning kuulub tema tippteoste "PÃ�

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Eduard Wiiralt (1898 – 1954): Lamav tiiger.1937-1950. Pehmelakk. Kuivnõel, hallikas paber. Plm 29.5 x 39 cm. Eduard Wiiralt on kujutanud erinevaid loomi, kuid tema erilisteks lemmikuteks olid kaslased – nii kodukassid k

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Eduard Wiiralt (1898 – 1954): Puuma ja panter. 1937. Ofort. Kuivnõel. Paber. Lm 35 x 38 cm. Plm 20.6 x 23.9 cm. Käeolev teos on pärast sõda Pariisis trükitud kunstnikutõmmis. Teos oli üks esimesi

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Kaljo Põllu (Estonian 1934 - 2010): Pärast suure populaarsuse omandanud suurt metsotintosarja “Kodalased” (1973-75) sündis järgmisena 65-leheline sari “Kalivägi” (1978-1984), mis püü

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Kaljo Põllu (Estonian 1934 - 2010): Maailmakõiksuse kuulatajad. Sarjast "Taevas ja Maa".1991. Värviline metsotinto. Paber. Plm 43 x 61.7 cm. Lm 55.5 x 71.9 cm. K.Põllu kolmandas suures metsotintosarjas Taevas ja maa (1987

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Kaljo Põllu (Estonian 1934 - 2010): Oma metsotintosarjades püüab Kaljo Põllu rekonstrueerida meie muistsete eellaste maailmapilti. Sari “Kirgastumine” (47 teost) on loodud aastail 1991-1995. Maad on algsetes m

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Evald Okas (Estonian 1915 - 2011): Neiu Brüsselist. 1958. Graafika (Akvatinta, Kuivnõel). Plm 34 x 24 cm. Lm 46.8 x 41.7 cm. Üks sarja tuntumaid lehti. Sarja domineeriv motiiv on kaasaegne naine. Lehtede mahlakas graafil

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Kaljo Põllu (Estonian 1934 - 2010): Mina, inimene. Sarjast “Taevas ja maa”. 1990. Graafika (Värviline metsotinto). Km 58.6 x 45.5 cm. Lm 69.7 x 55.4 cm. Suurus raamiga: 79.5 x 65.3 cm. Kõiketeadva jumaluse silma al

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Leonhard Lapin (Estonian 1947): Naine masin XXIII. 1978. Graafika (Kõrgtrükk). Km 40 x 37.8 cm. Suurus raamiga: 62.5 x 60.5 cm. "Naine-masin" on Leonhard Lapini populaarsemaid sarju, mis ühendab konstruktiivsuse sensu

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Schiele Lithograph 7 Portrait of Eduard Seated 1968: Artist: Egon Schile Title: Portrait of Eduard seated Medium: Lithograph - 7 Marks: Signed in plate Printed: 1968 by Max Jaffe, Vienna Austria Paper: Heavy paper 20 x 14 inch Edition: Apart from book L

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Item Details

Description

Maastik hobustega. 1947. Graafika (Ofort). Plm 33 x 49.5 cm. Lm 56.2 x 63.9 cm. 1947. aasta augustist novembrini viibis Wiiralt Burgundias väikeses Civry linnakeses Sereini jõel. Ta elas seal oma sõbra Udo Einsildi naise, maalija Berthe Sourdilloni majas. Esimese tööna graveeris ta sealse maastiku hobustega joogiküna ääres. Sel põuasel suvel oli seal nimelt kuumuse tõttu palju hobuseid hukkunud. Töö on väga peenetundeliselt graveeritud, ofordipits annab meisterlikult edasi põuavinet. Teos pärineb Eduard Wiiralti päranditombust, mis oli kuni 2006. aastani Stockholmis Eesti Komitee hallata.