MAXFIELD PARRISH Daybreak Lithograph, artist signature printed to lower right MAXFIELD PARRISH, subject a view inspired by the landscape of Vermont and New Hampshire to create lush and romantic tones, is regarded as the most popular art print of the 20th century, shows a young man laying on the ground, with a girl above him, measures 33 1/2 x 21 1/2 inches, window measures 29 1/2 x 17 1/2 inches, gold and black toned wood frame, surface wear to frame, professionally framed, not examined out of frame. Originally a childrens book illustrator, in line with his familys work as well, Parrish (whose name today calls to mind images of recumbent maidens, shadowed urns, multicolored crags, and blue skies[4]) was a graduate of the Philadelphia Academy of Fine Arts.[5] At the age of twenty-five Parrish received early national recognition with a cover design for Harpers Weekly (1895), and for the next several decades his work was constantly before the public,[6] thereafter he was commissioned by companied such as Jell-O and General Electric Edison Mazda