Attributed to Wilfredo Lam, it does not have a COA. Medium: oil canvas. 28.5 x 22 inches. The frame is missing some wood at the bottom, please refer to photos for more details. Provenance: private owner.
Biography: 1902 - 1982. Wilfredo Lam was the youngest of nine children and the only son of a Chinese father and an Afro-Cuban mother. He was born in 1902 in Cuba. His father adhered to Confucius and Lao Tse, his mother raised him as a Roman Catholic. Had his godmother had her way, he would have become a Santeria priest-healer. He left Havana when he was twenty-one to study art in Madrid. There he was exposed to modernism: Surrealism, Picasso and Matisse.In 1930, Lam married a Spanish woman, but a year later both his bride and their newborn son tragically succumbed to tuberculosis. He remained in Spain, fought with the Republicans during the Spanish Civil War. Injured, he was taken to a Catalonian hospital where he met a German chemist, Helena Holzer. Later they were married. In 1938, after being wounded while fighting for the Republican army during the siege of Madrid, he moved to Paris, where he established a lifelong friendship with Picasso. In 1940, with World War II and the internment by the Nazis of his wife, Lam fled with her to Marseilles and in 1941, boarded a ship back to Cuba.In the Paris years, Lam has assimilated the Surrealist and Cubist vocabularies. Then, during the decade in Cuba, he fused the modernist elements with his Afro-Cuban heritage, forging his mature unique style.In 1952, having divorced Helena, he moved permanently to Paris. His international reputation began to soar. In 1960 he married a Swedish artist with whom he had three sons. He supported Fidel Castro, and he enjoyed two tributes at the Museo de Belles Artes, in Havana. He died in 1982.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Mint based on the description