Zonnebeeke - Hadelin Bonaert

ALEXANDER CALDER / BON-ART - CIRCUS 1975 -Maguey fiber tapestry. Woven- Calder 75- numbered 54/100 with copyright and fabric label. Approx. 56 x 84 inches

HAGELIN CX-52 CIPHER MACHINE Type D, Switzerland, Crypto AG, 1950s, no 33454, being a mechanical pin-and-lug cipher machine with 6 interchangeable cipher wheels, gray-green metal casing, 'Hagelin-Cryp

Gaston Bogaert (Belgian, 1918 - 2008), Trains, oil on Masonite, signed lower right Bogaert, signed, having a Schleiper & Fils label on the reverse, height 18 1/2" x 21 5/8".

DESCRIPTION: An oil on panel painting by surrealist artist Gaston Bogaert. Titled "Les Grands Departs". Depicts a surrealist composition with a hot air balloon in flight against a rocky shore. Signed

Hagelin Cryptos CX-52 Cypher Machine, 1952 onwards Manufactured for Crypto AG, Switzerland by A.B. Cryptoteknik, Sweden, no. 33955. Mechanically operated, with 6 removable coding wheels, paper tape an

Hagelin C-446A "MX-3003" Cipher Machine, c. 1946 In unopened original packaging. Boris Hagelin, A.B. Cryptoteknik, Stockholm. Mechanically-operated, 6 non-removeable cipher wheels, double printer with

[Children's & Illustrated] [Rackham, Arthur] Browning, Robert The Pied Piper of Hamelin London: George G. Harrap & Co. Ltd., (1934). First and limited edition, #403/400 numbered copies, signed by

Rackham, Arthur (illustrator) The Pied Piper of Hamelin. [By] Robert Browning London: George G. Harrap & Co. Ltd, 1934. 2 copies, both first editions, deluxe issues, each one of 410 copies signed by R

Pied Piper of Hamelin.- [Rowlands (Richard)], "Richard Verstegan". A Restitution of Decayed Intelligence: In antiquities, first edition, title in red and black with engraved vignette of the Tower of B

Adrien van den Bogaert: Drawings after Rembrandt and Callot Sepia and red ink on paper, signed 'A.v.d. Bogaert' and inscribed 'Geteelien/met de Pen/Door' lower center. 14 x 18 1/2 in. (sheet), 21 1/2

G. HENDSTENBERG (Austrian, 1879 - c. 1920), Pied Piper of Hamelin, bronze sculpture, (Approximate dimensions - overall: 24 x 12.25 x 8 inches); signed on corner base.

Gaston Bogaert(Belgium, 1918-2008), atmospheric Victorian mansion scene, oil on panel sight: 25 x 31 in., frame: 33.5 x 40 in. Provenance: an Alamo Heights, Texas collection We happily provide seam

[STAGE/THEATER] HEDELIN, M. The Whole Art of the Stage: containing not only the Rules of Dramatick Art, but many curious Observations about it. London: for the Author, 1684. First edition in English.

Antoon BOGAERT (1935) 'Abstract figurine' a painting, oil on board. 1960. (W:50 x H:60 cm)

12 Mint Sets in Hamelin Harvard Cases 1959-1964 P & D Grades.

Daniel John Pound (British, 1820-1894). Admiral Hamelin. Original engraving on wove paper. Year: c. 1855. Signed in the plate. Image Size 5 3/4 x 8 3/8 inches. Framed dimensions approximately 15 x 17

3 contemporary redware pieces incl 2 slip dec 9" plates & a 4 3/4" diam dish sgnd Rick Hamelin, a slip dec 5 1/2" tall flask & a 2 1/4" ink marked Old Sturbridge Village & an unmarked clip dec 9 1/2"

Piere Bogaert (French, XX) Mid-Century Modern abstract composition, indistinctly signed lower right, signed and dated 1962 on stretcher, oil on canvas. Image: 6.25” H x 9.5” W.; frame: 8.5” H. x

Heading: (Rackham, Arthur, illustrator) Author: Browning, Robert Title: The Pied Piper of Hamelin Place Published: Philadelphia Publisher:J.B. Lippincott Co. Date Published: [1934] Desc

Frank BOGAERT (1950-?) 'Horseback riders' a painting, oil on canvas. 1977. (50 x 60 cm)

Frank BOGAERT (1950-?) 'The Haystacks', a painting oil on canvas. (81 x 121 cm)

Piere Bogaert (French, XX) Mid-century modern abstract composition, monogrammed lower left, signed and dated 1962 on stretcher along with illegible inscription, oil on canvas. Image: 6.25” H x 9.25�

Hamelin Hamelin [sic] etching, 'Fond Farewell.' Signed in pencil, lower right. Not dated. Circa 1880. In gilt gesso and wood frame. [Art: 17 3/4 x 29 inches; Frame: 24 3/4 x 35 1/2 inches].

"The Pied Piper of Hamelin" by Robert Browning, illustrated by Kate Greenaway, engraved by Edmund Evans; published by Frederick Warne, London and New York, printed in the USA, undated facsimile of the