William Brassey Hole (English, 1846-1917), Old Mill on the Yare, etching, signed in pencil lower

William Hole Etching “A Sienese Romance” Pencil Signed. Well done etching by William Brassey Hole(1846-1917) titled “A Sienese Romance.” Pencil signed by the artist. Sight meas

William Brassey Hole (British, 1846-1917). "Lady in Bonnet", oil on canvas. Signed lower right; Schillay and Rehs, New York label verso. Approx. 26.5" x 20.5" (frame), 18" x 12" (canvas)

Sir Frank William Brangwyn RA RWS RBA (1867 –1956). Old Kew Bridge. Antique etching, signed and titled in pencil lower margin. Sight 13 1/2" x 15 1/2".

Damien Hirst, English (born 1965) Etching In Color "The Souls On Jacob's Ladder Take Their Flight (Green Butterfly), 2007" Artist Signed In Pencil Lower Right. Sheet Size: 46-1/2" H X 42" W, Frame Mea

Carl Rungius (1869-1959), An Old Prospector, etching, 7 1/2 x 9 1/2, signed lower right: C. Rungius Provenance: Arthur H. Harlow & Co., New York, NY From a Private Collection

Carl Rungius (1869-1959), An Old Fighter, Etching, 6 1/8 x 8 1/4, signed lower right: C. Rungius, Provenance: Arthur H. Harlow & Co. New York, NY (label verso); From a Private Collection

David Hockney (English b. 1937), 'Three Kings & a Queen', 1961, etching and aquatint on paper, pencil signed and dated to lower right, titled and numbered A.P. to lower left, framed. Provenance: From

Title: Mosaic. John Sloan (1871-1951) Medium: Etching, 1917. Edition 100 - printing 35. Signed in pencil. Inscribed "100 proofs" and "JS imp." This impression was printed by John Sloan. Plate size

Pablo Picasso. Spanish. Tete d'Homme A La Pipe, Geiser #32, 1912. Etching signed in pencil lower right. Label verso, Denenberg Fine Arts, Boston. Label indicates printing circa 1920. Laid paper. Even

Pablo Picasso (Spanish, 1881-1973) "Dormeuse et Sculptures," etching on paper, signed in pencil lower right "Picasso," edition 20 / 50, Bloch 258. Image: 11.5" H x 8.375" W; frame: 20.5" H x 17" W x 1

Pierre Soulages (French, b. 1919) "Eau-Forte Xb", 1957 etching pencil signed lower right, numbered "23/65" lower left. Double-matted, fitted with plexiglass and framed. sight 25-3/4" x 20", framed 34-

Shoichi Hasegawa Etching "Red City." Colored etching on paper, pencil signed lower right by the artist Shoichi Hasegawa (Japanese b. 1929) and numbered lower left 16/160. Matted and in a silver tone m

Joan Miro, (Spanish:1893-1983). Color aquatint etching on paper and hand signed in pencil, bottom lower right. Image area 41 1/2 inches x 28 inches.Framed 51 3/4 inches x 38 inches.Numbered bottom lef

Pierre Soulages (French, B. 1919) Eau-forte No. 10a. Color etching and aquatint, 1957, pencil signed lower right and numbered 73/100, unframed. Printed by Lacouriere and published by Berggruen. Ref: R

Ed Paschke (American, 1939-2004) 'In America' Etching and Aquatint 1997, pencil signed lower right, #55/80 lower left, titled lower center margin, matted behind acrylic in a wood frame Property from:

TAVIK FRANTISEK SIMON (Czech / American, 1877-1942). Notre Dame Rose Window, 1912, Etching on paper. Pencil signed and dated lower right hand corner. Framed. Not examined out of frame. - 16 x 10 inche

Miro, Joan (Spanish/French, 1893 - 1983); Original Etching, Aquatint, and Carborundum in colors titled 'Le Cassier'. Executed in 1969, printed on Chiffon de Mandure paper. Signed in pencil in lower ri

EDWARD HOPPER Night Shadows. Etching, 1921. 175x210 mm; 7x8¼ inches, full margins. Edition of approximately 500. Signed in pencil, lower right. Published by The New Republic, New York. A brillian

Color etching, aquatint and carborundum. Signed and numbered 40/75 in pencil, lower margin. Printed and published by Maeght, Paris. Date of Work: 1967 Dimensions: 935x640 mm; 36 3/4x25 1/4 inches, ful

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

MARTIN LEWIS Charleston Practice—Lunch Hour. Etching and sand ground printed in dark brownish black, 1926. 200x250 mm; 7x9 inches, full margins. Edition of only 20. Signed in pencil, lower right

JOHN SLOAN Night Windows. Etching, 1910. 136x179 mm; 5¼x7 inches, full margins. Fifth state (of 5). Edition of 110 (from an intended edition of 100). Signed in pencil, lower right. A superb, dark

JOHN MARIN Brooklyn Bridge, No. 6 (Swaying). Etching, 1913. 272x222 mm; 11x9 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. Published by Alfred Stieglitz, 291 F