William Blake, 1757-1827

Attributed to William Blake (1757-1827): Male Figure Pencil on paper, unsigned. 7 1/2 x 4 1/2 in. (sheet), 14 1/2 x 12 in. (frame). Property from a Prominent Collector

WITKIN, Joel Peter (b.1939). -- William BLAKE (1757-1827). Songs of Innocence & Experience. South Dennis, MA: 21st, 2004. 2 volumes: comprising one text volume, square folio, and portfolio with origin

[ARTIST'S BOOK]. WITKIN, Joel Peter (b.1939). -- William BLAKE (1757-1827). Songs of Innocence & Experience. South Dennis, MA: 21st Publishers of Fine Art Photography, 2004. Folio (330 x 290 mm). 62 p

ENGLISH SCHOOL (19th Century) A PAINTING, "Portrait of a Boy," oil on canvas, after William Blake's (1757-1827) Frontispiece to "Father's Memoirs of his Child," (1806), verso on frame a partial paper

[FINE PRESS]. WITKIN, Joel Peter (b.1939). -- William BLAKE (1757-1827). Songs of Innocence & Experience. South Dennis, MA: 21st, 2004. Square folio, and portfolio with original print, folio. 62 photo

WILLIAM BLAKE (1757-1827) Engravings Grouping of 5 11 1/4" x 13 3/4"

William Blake (English, 1757-1827) "Illustration IV from "The Book of Job". Line engraving. "And I alone am Escaped to tell thee." Exhibited at the Herbert F. Johnson Museum of Art, Cornell University

AFTER WILLIAM BLAKE (Br. 1757-1827) "Visionary Head of Queen Boadicea" Pencil drawing, framed under glass 7 1/2" x 5 3/4" sight, 14" x 12 1/4" framed Titled l.c Estate of Donald Brenwasser, New Jersey

2 Books on the Fine Art of William Blake (English, 1757-1827). Including: Laurence Binyon, The Drawings and Engravings of William Blake, The Studio, Limited, London, 1922. Illustrated with engravings

the first: after William Blake (Br., 1757-1827), one of seven engravings from the "Inferno Portfolio" of La Divina Commedia (New York: Cheshire House, 1931); the second: William Gropper (Am., 1897-197

BLAKE, William (1757-1827). Songs of Innocence. London: The Trianon Press for The William Blake Trust, 1954. 8vo. 31 collotype plates in brown with hand-colored stenciling. Publisher's orange morocco

BLAKE, William (1757-1827). Jerusalem: A Facsimile of the Illuminated Book. London: The Trianon Press for the William Blake Trust, [1951]. 4to. 100 collotype plates in orange with hand-colored stencil

BLAKE, William (1757-1827). Illustrations to the Bible. Geoffrey Keynes, compiler. London: Trianon Press for the William Blake Trust, 1957. Folio. Chromolithographic frontispiece tipped-in, 8 color co

[BLAKE, William (1757-1827)]. GILCHRIST, Alexander (1828-1861), editor. Life of… London and Cambridge: Macmillan and Co., 1863. 2 volumes, 8vo (219 x 141 mm). Half-titles, numerous illustrations

William Blake, English, 1757 to 1827, colored print on wove paper finished in pen and watercolor, The expulsion from Eden, The Expulsion of Adam and Eve from the Garden of Eden, illustration for John

William Blake, English, 1757 to 1827, colored print on wove paper finished in pen and watercolor, The Temptation and Fall of Eve, illustration for John Miltons, Paradise Lost, 1808. William Blake and

William Blake, English, 1757 to 1827, colored print on wove paper finished in pen and watercolor, Adam and Eve Sleeping, illustration for John Miltons, Paradise Lost, 1808. William Blake and John Milt

William Blake, English, 1757 to 1827, colored print on wove paper finished in pen and watercolor, Christ as the Redeemer of Man, illustration for John Miltons, Paradise Lost, 1808. William Blake and J

BLAKE, William (1757-1827). Songs of innocence and of experience. London: Trianon Press, 1955. 8vo. Numerous color-printed plates. Original blue morocco (rear hinge broken, spine slightly sunned); sli

William Blake, English, 1757 to 1827, colored print on wove paper finished in pen and watercolor, The Downfall of The Rebel Angels, illustration for John Miltons, Paradise Lost, 1808. Signed in the pr

William Blake, English, 1757 to 1827, colored print on wove paper finished in pen and watercolor, Satan Watching the Caresses of Adam and Eve, illustration for John Miltons, Paradise Lost, 1808. Willi

William Blake, English, 1757 to 1827, colored print on wove paper finished in pen and watercolor, The Creation of Eve, illustration for John Miltons, Paradise Lost, 1808. William Blake and John Milton

(lot of 2) Framed hand colored etchings on paper, signed in print H. Bunbury Del (Henry William Bunbury, British, 1750-1811) and Rowlandson Scul (Thomas Rowlandson, British, 1757-1827), including: (1)

WILLIAM BLAKE And When They Lifted Up Their Eyes Afar Off. Engraving on Chine collé, 1825. 217x170 mm; 8x6¾ inches, wide margins. Edition of 215, with the word "Proof" engraved in the plate