Tramp Art crown of thorns frame. 26 1/2" x 31 1/2"

American, ca. 1920. Rabbet: 12" X 13 1/2", Overall: 18" X 19 1/2", Molding: 3 1/2"

[TRAMP ART] Crown of Thorns Frame (Early 20th century). Wood, gold paint with sand. 15 h x 20 ½ w x 3” d. Two areas for images. Interlocking wood pieces with some random pieces missing. Ove

Large Tramp Art picture frame; reverse brackets designed to hold a picture 16x20in; inside measuring 12.75 in H x 17.5 in W; outside measuring 26 in H x 31.5 in H

American, ca. 1920, having dark Roman gilding. Overall 34 3/4" x 40", Rabbet 26" x 31 1/2", Molding 4 1/2".

LANDSCAPE, oil painting on canvas on Glendale N.Y. stretcher bars, 25 x 30”, frame 26 ½ x 31 ½”. From the Stuart Lampert & Stephen Tomar Collection, Interior Designers for Celebr

PATTERNS, 1980, color screenprint, signed and numbered EA 26/27 (artist’s proof) in white ink, image 16 x 21”, full blue margins, frame 26 ½ x 31 ½” with glass.

VENICE CANAL, 1895, watercolor on paper, signed and dated lower left, sight 17 ½ x 2 ¼”, frame 26 ¾ x 31 ½”.

MAINE COPPER ROOF FARMHOUSE, 1943, gouache on paper, signed and dated lower right, sight 21 x 16 ¾”, frame 31 ½ x 26 ½” with glass.

CUBIST PROFILE, 1999, color lithograph, illegibly signed and dated and numbered 9/15 in pencil, sight 20 x 15 ½”, frame 31 ½ x 26 ½” with Plexiglas.

CARVED ZIG ZAG DESIGN WITH CHIP CARVED BORDERS. 21 1/2" X 26". INTERIOR 12 1/2" X 15 1/2". PLEASE READ CAREFULLY - Terms for Purchasing and Shipping of Auction Items. Please read carefully before bidd

THE JEWELRY BOX, oil painting on canvas, signed lower left, 25 ½ x 21 ¼”, frame 31 x 26 ½ x 3”.

EMPRESS, oil painting on canvas over Masonite, signed lower left, 22 ¼ x 18 ½”, frame 31 x 26 ½ x 3”.

ORANGE VENDOR, 1964, oil painting on canvas, signed and dated lower left, 26 ½ x 19 ½”, frame 31 ¾ x 28 ¾”.

UNTITLED, oil painting on canvas, signed lower right, overall 31 ¾ x 26 ½” with slat frame.

UNTITLED, oil painting on canvas, signed lower right, overall 31 ¾ x 26 ½” with slat frame.

RED FLOWERS I, mixed media on paper, signed lower right, 26 x 19 ½”, frame 31 ¾ x 25 ¾” no glass. Provenance: Timothy Yarger Fine Art, Beverly Hills.

RED BOXERS (K.39) 1973, color screenprint, signed in pencil, numbered 104/250, image 26 x 20”, full margins, frame 37 ½ x 31” with glass.

LUMIERE FORAINS, color lithograph on Japan paper, signed and numbered 118/163, in pencil, image 19 ½ x 26 ½”, full margins, frame 31 x 37 ½” with glass.

Watercolor on paper painting of a woman at a table with flowers, signed lower left. [Art: 16" H x 12" W; Frame: 31" H x 26" W].

SENZA TITIZO, 1987, woodcut on panel, a signature not found possibly on verso, 31 x 24”, frame 33 ½ x 26 x 3”. Provenance: L.A. Louvre, Inc. Venice, CA.

BI-DAGG, color screenprint, signed and numbered 90/250 in pencil, sight 22 ½ x 26”, frame 34 ¼ x 31” with glass.

Edward Borein(1872 - 1945)Longhornsetchingsigned lower right: Edward Borein3 1/4 x 6 in. (8.26 x 15.24 cm.), Frame: 12 1/4 x 14 5/8 x 7/8 in. (31.12 x 37.15 x 2.22 cm.) Private Collection, California

UNTITLED, 1974, color screenprint, signed and dated and numbered 40/150 in pencil, image 26 ¾ x 38 ½”, sheet 31 ¼ x 43”, Plexiglas frame 33 ½ x 45”.

UNTITLED, color aquatint etching, signed and numbered 31/95 in pencil, sheet 30 x 22 ¼”, frame 33 ½ x 26” with glass.