Thomas Rowlandson Chesterfield Travestie 1808

An early 19th century book with color frontispiece by Thomas Rowlandson, titled The Beauties of Tom Brown: Consisting of Humorous Pieces, in Prose and Verse, Selected from the Works of that Satirical

Two Antique Napoleon Bonaparte-Related PrintsThe first: Thomas Rowlandson (English, 1756-1827), A Hard Passage, or, Boney Playing Bass on the Continent, hand-colored etching, 1808, published in London

Thomas Rowlandson (London 1756-1827) 'Human nature is fond of Novelty. Pliny' inscribed with title (lower centre) pen, grey and brown ink and watercolour on wove paper 29.3 x 22.5cm (11 9/16 x 8 7/8in

Thomas Rowlandson (London 1756-1827) Batchelor's fare, bread, cheese and kisses signed 'Rowlandson del' (lower right) and further inscribed along the trimmed lower edge pen, brown ink and watercolour

Thomas Rowlandson (London 1756-1827) Grand Place, Brussels signed and dated 'Rowlandson 1802' (lower right) and inscribed 'Grande Place à Brussells [sic]' (lower left) pencil, pen and watercolour

Thomas Rowlandson (London 1756-1827) Polson Bridge near Launceston with pack ponies on a road pen, ink and watercolour on paper 23.2 x 37.5cm (9 1/8 x 14 3/4in). Footnotes: Provenance Sale,

Thomas Rowlandson (London 1756-1827) Triton and nymphs signed 'T.Rowlandson' (lower left), pen, grey ink and watercolour on wove paper 15 x 23cm (5 7/8 x 9 1/16in). and another, of a winged figure ins

Thomas Rowlandson, attributed to. England. Round form satirical watercolor painting of men betting on dogs. Bull baiting a bull. On paper. Framed. Unsigned. Label on reverse. Overall framed diameter:

Thomas Rowlandson (1757-1827), 2 Grotesque Borders Portfolios (12 each), 24 works total, colored lithographs, measures 13.5 x 19.25" Condition: a few showing mold damage We happily provide seamless sh

Two English Ink Washes one by THOMAS ROWLANDSON the other by WILLIAM TURNER OF OXFORDThomas Rowlandson (English 1756-1827) Country Landscape Cornwall red ink and wash signed T. Rowlandson lower right

Lot 2 Thomas Rowlandson British (1756 - 1827) The Elopement Interrupted pen, ink, watercolor, and wash on paper sight: 6 3/4 x 9 1/4 inches Provenance: From The Estate of Leonard Stone acquired

Thomas Rowlandson (British, 1756-1827) A horse with a pack of hounds resting pencil, pen and ink and watercolour on paper laid down on card 11.6 x 20.4cm (4 9/16 x 8 1/16in).

ROWLANDSON, Thomas (1756-1827). "Captain Barclay in his famous walking match against time, a thousand hours, a thousand miles." Watercolor on paper. Signed lower right. 8 5/8" x 13 3/8" sheet, 20 1/2"

THOMAS ROWLANDSON (1756-1827), BRITISHMAN SAMPLING GOODS IN A GENERAL STOREWatercolour and ink on paper; signed "Rowlandson" lower left.Sheet 7.75 ins x 8 ins; 19.7 cms x 20.3 cmsProvenance:Private Co

Thomas Rowlandson (London 1756-1827) Apeing their betters pen, brown ink and watercolour on laid paper 12.5 x 12.3cm (4 15/16 x 4 13/16in). Footnotes: Provenance Sale, Sotheby's, London, 3 N

Four Bound Volumes of Figures and Scenes. Watercolor and ink along with colored etchings on paper. Provenance: W.J. Funk. From a Riverside Ave, Manhattan, NY estate. (Fifty Eight Items). For additiona

Thomas Rowlandson (British, 1756-1827)A New Law of Keyes, Eat to Live, Not Live to Eatink on paper laid downtitled lower left11 1/2 x 9in (29 x 23cm) Provenance:With Salander O'Rei

ARTIST: Thomas Rowlandson (british, 1756 - 1827) NAME: Macasser Oil YEAR: 1819 MEDIUM: watercolor on paper CONDITION: Minor foxing. SIGHT SIZE: 11 x 8 inches / 28 x 20 cm MAT SIZE: 14 x 11 inches / 35

THOMAS ROWLANDSON (1756-1827), BRITISHMAN IN A BOAT ATTACKED BY A CROCODILEWatercolour and ink on laid paper; signed "Rowlandson" lower right.Sheet 7.25 ins x 9.25 ins; 18.4 cms x 23.5 cmsProvenance:P

ARTIST: Thomas Rowlandson (british, 1756 - 1827) NAME: Macasser Oil YEAR: 1819 MEDIUM: watercolor on paper CONDITION: Minor foxing. SIGHT SIZE: 11 x 8 inches / 28 x 20 cm MAT SIZE: 14 x 11 inches / 35

Antique Thomas Rowlandson British Foxhunt Watercolor Painting Horseback Landscape. Signed bottom left. Sheet is laid down on heavy paper that is attached to mat at top. Displays toning, spotting and s

Thomas Rowlandson, "Want is the Scorn... The Chamber of Genius", 1812, inscribed, "Want is the scorn of every wealthy fool and genius in rags turn'd to ridicule", lithograph with coloring, sight: 9.5

Thomas RowlandsonUnited Kingdom, (1756-1827)Figures Fishing along a Canal, 1799watercolor and ink on papersigned and dated lower right, framed.7 x 9 inches (sight)

THOMAS ROWLANDSON (BRITISH, 1756–1827), WATERCOLOR, SIGHT: H 7", W 10", "OVER THE HURDLES" Signed lower right; equestrian hunt scene; framed, 14" x 18". Unidentified 'LR' label on verso (see ph