Thomas Luny (English 1759-1837) Ramsgate 1835

Attributed Thomas Luny (English, 1759-1837), Maritime Scene with Two-Deckersoil on canvas (lined), unsigned, presented in a later ebonized frame with ripple molding in the Dutch style. Stretcher size

Thomas Luny (English, 1759-1837) Seascape oil on canvas 15 1/2 x 23 1/2 inches. Property from the Estate of Beatrice Weiskopf, Buffalo Grove, Illinois

Thomas Luny (1759-1837) English, 'The Ness at Teignmouth', oil on canvas, a Royal Navy frigate anchored off the coast under dark clouds, flying the Red Ensign, with figures on the shore and further sh

Original "Coming Ashore" by Thomas Luny (British, 1759-1837) Signed and dated 'Luny 1829' (lower left) oil on panel. 8 3/4" x 11 3/4". Previously sold at Christies 2001. Information on back of paintin

Attributed To Thomas Luny, British, 1759-1837, Marine Scene, Oil On Canvas Laid On Masonite, Unsigned, 14 X 17 Inches, Giltwood Frame 19 X 24 X 3 Inches, Discolored Varnish Layer, Scattered Craquelure

After Thomas Moran(English/American, 1837-1926)Native Americans in a mountain landscapeoil on canvas13 1/4 x 17in (33.5 x 43cm)

Thomas Webb & Sons (English, 1837-1990), circa 1890. An art glass brides bowl or fruit bowl on stand, with matte finish to the interior and decorated with butterflies and leafy foliage in white cameo

After Thomas Moran(English/American, 1837-1926)Native Americans in a mountain landscapeoil on canvas13 1/4 x 17in (33.5 x 43cm)

Thomas Webb & Sons (English, 1837-1990), circa 1890. Pair of Queen's Burmese ware small vases, each with patented five point infolded top in salmon rose shading to a yellow body and foot which fluores

Thomas Webb & Sons (English, 1837-1920), circa 1900. Scarce butterscotch pearl satin glass squat pitcher or jug with square shaped mouth and bulbous body applied with clear reeded handle, the whole de

1846 Spiritual Signification of Numbers Hindmarsh Illustrated Occult Mysticism Robert Hindmarsh (1759–1835) was an English printer and one of the original founders of Swedenborgianism, stemming from

Thomas Daniell (English, 1749-1840) & William Daniell (English, 1769-1837) Set of Four Aquatints from 'Oriental Scenery' Signed in pencil lower right Aquatint 19 in. h. x 25 in. w., image 28 1/4 in. h

An English militia act passed in Parliament in 1758 and printed here 1759 at London by Thomas Baskett, during the reign of George II. Decorative title leaf and complete act in black letter. Fine, meas

After Thomas Phillips (English, 1770-1845) Portrait of Lord Lt. Knollys, circa 1835 oil on canvas Height 50 X width 40 inches.

(lot of 8) Framed hand-colored aquatints on paper, plates I-VIII of "The Quorn Hunt," c.1835, drawn and etched by Henry Thomas Alken (English, 1785-1851), engraved by Frederick Christian Lewis (Englis

Thomas Girtin. (English, 1775-1802). Landscape with Hill and Cloud. Antique engraving in mezzotint on wove paper after the original by master engraver Samuel William Reynolds (1773-1835). 1885. Excell

with the Operations of the Siege of Quebec , with inset map showing part of the Upper River of St. Laurence, and an inset View of the Action gained by the English Sep. 13th 1759, engraved map, 340 x 5

Thomas Arnold (1795-1842), English Educator and Historian. Handwritten letter to C. Robinson dated December 29, 1835, with signature / autograph. Image included.

(lot of 4) Framed aquatints on paper, English Shooting Scenes, after Dean Wolstenholme, Sr. (British, 1757-1837), engraved by Richard Reeve (British, 1780-1835), insect holes, staining, trimmed sheets

Cruikshank, George (English, 1792-1878), 8 framed Dandies or Monstrosities of 1818, published by Thomas 1835, etchings, 10 x 13.75 inches, framed in attractive hand painted French mats and Hogarth sty

"Approaching Storm", oil on canvas, unsigned, titled on label verso, identifying artist and indicating this was part of the Collection of Harold Behrens, depicting a crowed coastal passage with a mult

1876). Oil on Canvas. "The Donkey Ride". Signed lower right. Label affixed verso. From a Florida collection. - Dimensions: 21" high x 17" wide

Three Ships in Rough Seas, oil on mahogany panel, signed verso and dated 1797, a study for the larger painting completed in 1805, housed in the original water gilt gesso frame, OS: 17 1/2" x 22 1/4",

in elaborate carved and pierced giltwood frames, comprising "Hounds Chasing Fox" and "Horses & Hounds", both after John Nott Sartorius, (English 1759-1828), signed and dated lower right "N.A. Sartoriu