Thomas Barker (British, 1769-1847) A Shepherd, 1838

Thomas Barker of Bath (United Kingdom, England, 1769 - 1847) Oil on canvas painting of figures on a pathway. Signed and dated lower left. Sight Size: 40 x 30 in. Overall Framed Size: 46 x 35.5 in.

Manner of Thomas Barker of Bath (WELSH, 1769–1847) oil on panel, Landscape/Pasture with animals and herdsman, in early 18/19th Century Frame, panel size 8-1/4 x 11-1/2 inches

After Thomas Barker of Bath (English, 1769-1847) mezzotint of The Woodman and his dog. Engraved by Francesco Bartolozzi (Italian, 1727-1815) Sight: 11 3/4" H x 8 1/2" W. Frame: 17" H x 12 3/4" W.

ARTIST: Thomas Barker of Bath (United Kingdom, 1769 - 1847) TITLE: Resting Travelers MEDIUM: oil on canvas CONDITION: Relined. Minor scratches/paint losses. No visible inpaint under UV light. ART SIZE

Attributed to Thomas Barker of Bath (1769-1817) British, watercolor. Barker was heavily influenced by Gainsborough. He became highly popular in the first half of the19th Century and was extremely prol

Lawrence, Sir Thomas [British, 1769-1830] fine watercolor portrait of Miss M. Bloxham (niece of Sir T. Lawrence) attributed to Sir Thomas Lawrence P.R.A. 9.5"h.x7.5"w.

THOMAS JONES BARKER (BRITISH 1815-1882) Twilight Landscape with Lovers on a Gothic Bench , 1842? oil on board 64 x 50 cm (25 1/4 x 19 3/4 in.) signed and dated lower right CONDITION Observed in frame

Sir Thomas Lawrence (British, 1769-1830) Two Works: Portraits of Sir Robert Baker and His Brother, Captain John Baker circa 1820 pastel on paper 11 1/4 x 9 1/4 inches. Both inscribed on reverse, ident

Thomas Spinks (British, 1847-1927). Original signed oil painting on canvas. River landscape with castle and boat. Signed T. Spinks 1882. Verso inscription: Prepared by Winsor and Newton, Limited, 33 R

Manner of Sir Thomas Lawrence (British, 1769-1830) Early 19th Century Portrait of a Gentleman oil on canvas 31 x 25 3/4 inches. Property from the Collection of Donald Schreiner, Rockford, Illinois

Circle of Sir Thomas Lawrence (British, 1769-1830), Portrait of a Young Lady, circa 1825, oil on canvas laid down to board, unsigned, canvas: 30.5"h x 24"w, overall (with frame): 36.5"h x 30.25"w. Not

19th century framed oil on canvas painting of a gentleman, attributed to Sir Thomas Lawrence (British, 1769-1830), bearing labels verso. [Art: 30" H x 25" W; Frame: 37 1/2" H x 31 3/4" W]. In good con

After Sir Thomas Lawrence (British, 1769-1813) Head and shoulder portrait of Lady Wedderbern oil on canvas 15 x 11in (38 x 28cm) Provenance: Property from the Estate of Jack Levin, Los Angeles, Califo

Attributed to Sir Thomas Lawrence (British, 1769-1830), portrait of a woman, pastel and graphite on paper, oval. Sight 9 1/4" x 7 1/4", overall 14 3/4" x 12 1/2". Provenance: Doyle, N.Y.C., English &

Manner of Sir Thomas Lawrence (British, 1769-1830) Josephine oil on canvas 29 x 24 inches

After Sir Thomas Lawrence (British, 1769-1830), "Portrait of an Officer of the 11th Light Dragoons," 20th c., oil on canvas, signed "G. Serrure" lower right, original painting done in 1812, presented

Thomas Comley Vivian (British, 1847-1908), "The Two Squires", oil on canvas, signed lower right, illegibly inscribed on stretcher, 68 1/2 in. x 43 5/8 in., framed.

Thomas Sutherland (British, 1785-1838) engraving in colors titled "The Pavillion at Brighton, The Marine Palace of his Majesty George the IV" published by J. Cordwell, circa 1821, "The Parker Gallery"

After Thomas (Sir) Lawrence (British, 1769-1830) pair of stipple engravings on paper, Portraits of Miss Mary Isabella Bloxam. Circa early 19th century. Sir Thomas Lawrence is an artist who gained fame

Thomas Kirkby, American/British, 1775 - 1847, portrait of English mother and child wearing blue dress with landscape background, oil on canvas, signed and dated on the reverse "Painted by Tho. Kirkby

Thomas Kirkby (British/American, 1775-1847) , "Figures in a Valley Landscape" and "Cow", double-sided oil on copper, signed lower right, 8 3/4 in. x 12 1/8 in., framed . Condition: Possible scattered

Thomas Hosmer Shepherd (1793-1864) British. 'The Old White Heart, Bishopsgate Street', Print, overall 4.5 x 6", and four other various prints, five (5). "

A pair of antique 19th century engravings by British artist Thomas Hosmer Shepherd. The engravings depict famous places in Edinburgh, Scotland. Under one engraving is the text Ainslie Palace, Edinburg

(British, 1769-1830) Portrait of a Lady Seated in a Red Shawl, unsigned, oil on canvas, 36 x 29 in.; fine carved and gilt wood English panel frame, lined, restretched on old stretcher, retouch at repa