Sybil Andrews CPE (1898-1992) Day's End Linocut printed

Sybil Andrews (1898-1992) Market Day (Coppel SA 38), 1936 Linocut in colors on japon pelure, signed in pencil, titled and numbered 26/60, with margins, framed. 12 5/8 x 14 5/8in (31.5 x 36.5cm) sheet

δ Sybil Andrews (1898-1993)Mowers (Coppel SA.39)Linocut printed in colours, 1937, signed, titled and inscribed '4 EP' in pencil, one of 6 experimental proofs aside from the edition of 50, on buff

Michaelmas, 1935 linoleografia, es. 36/60, cm 36 x 25Firma a matita in alto a destra 1 lithograph, numbered 36/60, cm 36 x 25, sign in pencil upper right This lot is subject to Artists Resale Rights

Lill Tschudi (Swiss, 1911-2004) Visiting Day (Coppel LT 53) Linocut printed in dark blue, yellow, light brown and viridian, 1937, on thin mulberry paper, signed, annotated 'Handdruck' and numbered 15/

Edward Bawden R.A. (British, 1903-1989) Audley End House Linocut printed in colours, 1973, on wove, signed, titled, dated and numbered 45/150 in pencil, published by Christie's Contemporary Art, Londo

Alfred Eisenstaedt (German, American, 1898-1995) V-J Day Times Square, New York City, 1945, printed 1990 Gelatin silver print on Kodak Polymax Fine Art paper ed. 236 of 250 19.25 x 14 (in) 29 x 23.75

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FREE INTERNATIONAL TRACKED SHPPING ON ALL OF OUR ITEMS (Albinus will securely package and send your item(s) within 3 working days of the auction end). All payments must be completed by bank transfer,

M.C ESCHER (Dutch, 1898 - 1972). DAG EN NACHT (Day and Night), 1938, Woodcut in black and gray, printed from two blocks. Printed by the artist. Initialed and dated in the woodblock MCE II - '38, upper

E M Dinkel (Ernest Michael 1895-1983) The West-End is Awakening, original poster printed for the Underground by Vincent Brooks Day 1931 - 102 x 63 cm

Three Antique Calendar / Note Books, includes; 3 3/4" with nickle shield form cartouche and lock; a 2" with one round end; and a 1 3/4" etched mother of pearl, all with printed days of the week. CONDI

Cyril Edward Power (1872-1951) The Merry-Go-Round (Coppel CEP.16) Linocut printed in a mixture of Chinese orange and chrome orange and Chinese blue, circa 1930, on buff oriental laid tissue, a very go

Thomas deDecker (1951-), A Summer's Day End, Oil on panel, 40 x 30, signed lower left: Thomas dEdecker verso: signed, titled, dated, Provenance: The Artist

Richard Rackus (b. 1922, Colorado), "Day's End", 1999, oil on canvas sight: 24 x 30 in., frame: 34 x 39 in. Provenance: Property from a long-time Alamo Heights, Texas art collector We happily provide

Norah McGuinness HRHA (1901 - 1980) Days End on Dublin Bay Oil on canvas, 91.5 x 122 (35¾ x 48) Signed Provenance: With The Dawson Gallery, Dublin, label verso Norah McGuinness was one of a num

Pablo Picasso (1881-1973) "Diurnes" Linocut Femme Assise en Pyjama de Plage II Circa 1962. Linocut printed in two colors artist proof outside edition of 100 and signed by the artist in pencil. Measuri

Astronomy.- Regiomontanus (Johannes Müller) Kalendarium, 25ff. (of 26, lacking final blank) plus 2ff. woodcut diagrams at end, printed in red and black including 30 diagrams of eclipses, woodcut init

** δ Pablo Picasso (1881-1973)Vallauris Exposition (Bloch 1271; Czwiklitzer 19)Linocut printed in colours, 1956, signed and inscribed 'Pour André Stil' in blue crayon, a proof aside from the

Mogens Koch (Danish, 1898-1992), Teak Three-Part Bookcasefor Rud Rasmussen, 1960s, six part form, dovetailed cases, consisting of three upper open divided bookcases over two cabinets with two hinged p

Mogens Koch (1898-1992) for Rud. Rasmussens Snedkerier flat-file storage cabinet Denmark, 1962 pine sticker label 'Rud. Rasmussens Snedkerier 45 Nørrebrogade København' 30"w x 22 1/2"d x 32"h

Mogens Koch (1898-1992)Chest of drawersTeakEdited by Rud RasmussenModel created circa 1948H 81 × L 76 × W 58 cm

MORI YOSHITOSHI (1898-1992) Showa era (1926-1989), 1972-1973 Comprising a large woodblock print and four prints; the first entitled Yorimasa no zange (Yorimasa in Self-Accusation), from the series Hei

"The Days End, River Elaune, Normandie," 1919 Oil on canvas Signed and dated lower left: G. Ames Aldrich; signed again, titled and with the artist's monogram in blue and red verso 27.5" H x 31.25"

Printed silk foulard faux wrap dress w/ densely patterned city scape & cavorting figures, bias cut faux dolman sleeves w/ paired self covered buttons for fitted cuff, CF wrap bodice w/ cross over exte