Signed Screenprint, 1968

ANDY WARHOL (1928-1987) Chicken Noodle Soup, 1968 Screenprint in colors 32" x 23" Signed in pencil lower side Published by Factory Additions, New York

Sister Mary Corita Kent (1918-1986) HE REPEATED THE LETTERS OF THE ALPHABET Color screenprint, 1968, signed in ink, inscribed 68-69-A in pencil, with full margins, unframed. Image 22 1/2 x 34 3/8 inch

Roy Lichtenstein (1923-1997) Pyramid, 1968, Screenprint, Signed and numbered 64/300. H: 17 W: 19 3/4 in.

Ludwig Sander, (American, 1906-1975), Untitled, 1968, screenprint, signed, titled, numbered and dated in pencil, edition of 100, 16.75" x 15.5"

Victor Vasarely (1906-1997) [COMPOSITIONS] Four color screenprints, 1968, signed and numbered 132/250, VIII/CL, 94/150 and 203/250 in pencil or black ink, with full margins, unframed. Largest sheet 43

Original signed and numbered limited edition screen print on paper by Victor Vasarely (1906-1997 France / Hungary) "Bora -A", 1968. Screenprint on wove paper. Depicts an Op Art style composition in bl

Signed and dated on verso, Back label reads Nicholas Krushenick, Iron Butterfly, ScreenPrint, 1968, Edition Number 76/125signed and Numbered. Published by Galerie De Spiegel, Cologne. Subject depicts

Roy Lichtenstein (American, 1923-1997) Salute to Aviation, 1968 color screenprint signed, dated, and numbered HC I/XII in pencil 42 7/8 x 21 1/2 inches. Literature: Corlett 63

Alex Katz (American, b. 1927), "Blueberry Field," 1968, screenprint, pencil signed lower left, edition: 81/100, image (sheet): 14"h x 17"w, overall (with frame): 27.5"h x 27.5"w

Y - IS FOR WHY NOT from the Alphabet Series (Red Yellow Version) (68-25), 1968, color screenprint, signed in pencil lower right, sight 16 ¾ x 21 ¾”, frame 23 x 27 ¾” w

C IS FOR CLOWN from International Signal Code Alphabet (CAC 68-3), 1968, color screenprint, signed in pen, sheet 17 ½ x 23”, frame 20 x 26” with Plexiglas.

ROCK OF AGES, CLELFT FOR ME, 1968, color screenprint, signed and dated and titled in pencil and inscribed artist’s proof, sheet 40 x 28”, creases and soft handling creases, mainly at sheet edges,

Artist: Risaburo Kimura, Japanese (1924 - 2014) Title: City 184 Portfolio: Year: 1968 Medium: Screenprint, signed, numbered, and dated in pencil Edition: 12/25 Image Size: 29.5 x 15 inches Size: 30 x

ELLSWORTH KELLY PENCIL SIGNED "PARIS REVIEW" 1968, SCREENPRINT NO. 98/150, 31" X 24"

ELLSWORTH KELLY PENCIL SIGNED "PARIS REVIEW" 1968, SCREENPRINT, 31" X 24"

Terry Frost (British, 1915-2003) Black and Red on Blue, 1968 screenprint on paper signed, dated, and numbered 21/75 in pencil 22 5/8 x 30 3/8 inches.

Peter Phillips (British, b. 1939), "Gravy for the Navy," 1968-1975, screenprint, pencil signed and dated lower right, titled verso, edition 30/75, sheet (unframed): 28.75”h x 40.25”w. Provenance:

DAMN EVERYTHING BUT THE CIRCUS (68-27-30, color illustrations pages 180-181 in Someday is Now), 1968, four-part color screenprint, signed in ink lower center of Circus panel, thin margins removed shee

MERTON OF THE MOVIES (CORLETT 61)Color screenprint, 1968, on silver foil, signed and numbered 338/450 in pencil, printed by Fine Creations, Inc., New York, co-published by Lincoln Center/List Poster a

LINCOLN CENTER, 1968, color screenprint on canvas, signed and dated and numbered in pencil on verso, published by List Art for the Lincoln Center, sheet 72 ½ x 42”, Plexiglas frame 73 ½ x 42 ½”

(lot of 2) Robert Arthur Goodnough (American, 1917-2010), One and Two, 1968, color screenprints, both pencil signed lower right, each edition 117/150, sight: 21.75"h x 29.75"w, overall (with frames):

δ Gerald Laing (1936-2011)AAD (Ingram & Halliwell 18)Screenprint in colours, 1968, signed, titled, dated and numbered from the edition of 150 in pencil, published by the artist, with his blindsta

WATER LILIES - FRIENDSHIP THROUGH FLOWERS POSTER (MARAVELL 20; SCHRODER 21)Color screenprint, 1968, on white wove paper, signed and numbered 132/144 in pencil, with an Alex Katz copyright mark, publis

MAI REVOLUTION, 1968, three color screenprint posters, one signed ARZA in design, sheets 24 ½ x 17 ½”, all framed with glass. From the May 1968 student protest in Paris. They were posted throughou