Shlomo Cassos (American - French - Israeli, b. 1934)

George Chemeche (American - Israeli, b. 1934) modern abstracted street scene, 1972, oil on canvas, signed and dated in lower right. Sight 31.75" H x 28.5" W. Frame 33" H x 29.75" W.

Attached label titled "The Potato Girls" on back. Signed lower left and lengthy inscription verso with date 1981. Dimensions: (Frame) H 24.5" x W 15" (Sight) H 20" x W 24" Condition: Light surface rub

Pierre Bittar (French / American, b.1934) Oil on Canvas Undated, signature lower right, depicting a street scene and mountain view, light gold tone frame having linen lining; provenance: Chicago, Illi

PIERRE BITTAR, FRENCH/AMERICAN, B 1934, OIL ON CANVAS H 44" W 32" A FRENCH GARDEN A colorful assortment of flowers in full bloom and at its peak. Signed. Frame. 44" x 32". Circa 2000.

PIERRE BITTAR (FRENCH/AMERICAN B. 1934), OIL ON CANVAS, H 21", W 25", LAKE SHORELINE WITH SAILBOATS IN THE DISTANCE:Signed lower right; gilt frame.

Pierre Bittar (French / American b. 1934), untitled oil on canvas, sailing scene in pastel tones, signed to lower left, framed. Provenance: From The Estate of James A. Adams Jr., Atlanta, Georgia. App

PIERRE BITTAR (FRENCH/AMERICAN, B. 1934), OIL ON CANVAS, H 40", W 30", PETOSKY, MICHIGAN Signed lower right; framed.

PIERRE BITTAR (FRENCH/AMERICAN, B. 1934), OIL ON CANVAS, H 18", W 22", "HARBOR SPRINGS":View of Harbor Springs, MI. Signed lower right; signed; titled and numbered 215 (or 215) all on the top stretche

PIERRE BITTAR (French / American b. 1934) "Summer Sail Boat" Oil on canvas. 24 1/8 x 20 inches; 29 1/8 x 25 1/8 inches. Signed lower left: Bittar.

Louis P. Fabien (French/American, b. 1934) Crepuscule Rose oil on canvas signed (lower right) 38 1/2 x 51 1/2 inches. Wally Findlay Galleries, Palm Beach, FL

Olive trees in Jerusalem in the landscape of the Judean desert, 1952, Watercolor on paper, 42 x 50 cm, Signed and dated

Yaacov (Gipstein) Agam (American/Israeli/French, b. 1928), "AYAM," marker on paper, signed mid center, chop mark "M L L E" lower left, sheet: 13"h x 10"w, overall (with frame): 18.5"h x 15.25"w x 3"d

Beth Von Hoesen (American, 1926-2010) and Francoise Deberdt (French, b.1934) Aquatints (2) items including 1980, pencil signed and dated lower right, titled 'Silver Cup With Magnolia' lower left, 'Edi

Yaacov Agam (Israeli/French/American, b. 1928), "Untitled 23", ca. 1980, serigraph, signed in pencil lower right "Agam", numbered in pencil lower left "118/300", sheet 20-5/8" x 26-5/8". Glazed, float

Scott Lloyd Anderson (American, 20th Century) 'Cedar of Lebanon' Oil on Board 2010, signed lower left, depicting a tree; together with an Andre Deluc (French, b. 1934) oil on canvas depicting a pastor

ZVI MILSHTEIN (Zwy) b. 1934 born in Kishinev, Bessarabia in 1934 (Russian/Israeli/French) Title: Chambre No. 8, ca. 1970's Technique: Original Hand Signed and Numbered Lithograph and Woodcut in Colour

David Smira (Israeli-American, b. 1941) The French Artist, circa 1980 Oil on canvas 36" x 36" Signed to the bottom left corner. Presented in a frame that measures 42" x 42".

DESCRIPTION: Ted Jaslow (American, b. 1934) Acrylic on paper painting depicting a Judaic man with cart executed in an impressionistic manner. Signed and dated: "Ted Jaslow, 1968" (Lower Right) Unframe

Sheila Hicks (American, b. 1934) "Button Hole", 1984. Linen tapestry, 1984. 9 1/2" x 5 3/4" . Estate of Annette McGuire Cravens, Buffalo, NY.

Oil on canvas. "Study in Red, White, and Blue". Signed lower right. Harmon-Meek Gallery label affixed verso. From a Long Island, NY collection. - Dimensions: 40" high x 50" wide

Untitled, 1970; Oil on canvas (framed); 79" x 45"; Provenance: Private Collection, New Jersey

1999; bronze; signed and dated overall: 13 x 17 1/2 x 6 3/4 in. (33 x 44.5 x 17.1 cm.) Provenance: Property from a Prominent California Estate

bronze; signed, titled, and numbered 3/7 10 x 18 x 12 in. (25.4 x 45.7 x 30.5 cm.) Provenance: Property from a Prominent California Estate

Unsigned, oil on canvas. Helen Bershad's work is devoted to exploring color, form, space, and line as they exist on the surface of the canvas. Considered an abstractionist, the nature of her work dire