Salvator Rosa The Prodigal Son Engraving

'The Prodigal Son amid the Swine' heliogravure on laid paper from 'The Portfolio' by master engraver Charles Amand-Durand (1831-1905) after Albrecht D?rer (1471-1528) . The 'Portfolio' watermark can b

Three prints (from a series of four) by Connecticut native Amos Doolittle (1754 - 1832) based on the parable recounted in The Gospel of Luke. Included here are "The Prodigal Son Receiving His Patrimon

English "Prodigal Son" -19th century Four stipple and line engraved prints on paper 6" x 8" (framed)

Grouping of Four (4) Antique or Vintage Artworks. Includes: after Benard Direxit "Boyaudier" copperplate, S. Thomas Fecit "Venus a la Coquille" engraving, "The Prodigal Son" engraving, and "Ierone Re

J. J. TISSOT ENGRAVING "PRODIGAL SON IN MODERN LIFE" Height: 28 in. by Width: 29.5

Group of three French polychromed engravings depicting The Prodigal Son, signed, circa 1790, 23 1/2" x 31". Provenance: Boston, Massachusetts estate.

Prodigal Son, Modern Impression, Engraving On Laid Paper, Monogram In Plate, Galerie Michael Label, Sheet 10 X 7 Inches, Frame 21 X 18 X 1 Inches, Sheet Reduced, Toned And Foxed. Not Examined Out Of F

John Browne after Salvator Rosa, 18th Century copper engraving, Apollo and the Sibyl, 21.5" x 29.75".

Italy, 17th century. Three original small etchings on laid paper by Italian artist, Salvator Rosa (1615-1673). Overall good condition; cut from a larger folio page. Entire page measures 8 x 14.5. inc

AFTER SALVATOR ROSAItaly, 1615-1673Satyr scene. Engraved by Simon Watts. "Vidi et Aures Capripedum Satyrorum Acutus" (I also saw the ears of the sharp-footed satyrs) in lower margin.Engraving, 18.25"

Including seven hand-colored engravings by Jean Duplessis-Bertaux (French, 1747-1819), two 18th C. engravings of the Prodigal Son tale, and "L'Enfant Cheri" engraving by Nicholas Delaunay after Jean-B

This engraving was originally done by Albrecht Durer in the late 1400's, titled "The Prodigal Son Among the Pigs", and this is a later copy on wove paper, with no watermarks. We took the engraving to

Pair of very Rare c. 1799 Hand Colored Engravings by John Murphy (1748-1820) after Salvator Rosa. John Murphy was a Mezzotint engraver (chiefly of historical and Scriptural subjects), print publisher;

Three 18th & 19th Century Prints. Includes an engraving after Giovanni Gaulli by Arnold Van Westerhout, an etching with drypoint by Salvator Rosa entitled "Democritus", and one other print with "Pesta

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Attr. Salvator Rosa (1615 - 1673) Rough scenes scene. With figures in the foreground, approaching storm. Oil/Canvas. Sight Size: 39 x 29 in. Museo Civico Filangieri inscription verso. Multiple labels

Follower of Salvator Rosa Gamblers outside an inn with backgammon players and a small dog begging for food oil on canvas, in a Florentine carved, pierced and giltwood frame 64 x 99cm The painting is e

French School, Return of the Prodigal Son. Oil on canvas. Appears to be unsigned. Circa early 1800's. Provenance: Christie's July 1, 2020. Sight Size: 14.5 x 18 in. Overall Framed Size: 20 x 24 in.

Circle of Salvator Rosa (Italian, 1615-1673) Marina with Rock Arch Oil On Canvas Painting. The original of this painting by Rosa is located in the collection of Doria Pamphili Gallery in Rome, Italy.

SALVATOR ROSA (CIRCLE) 1615 Neapel-Arenella - 1673 Rom RESTING FIGURES AND ANGLER AT THE RIVER BANK Oil on canvas (relined). 68,5 x 91 cm (F. 87 x 109 cm). Verso: Diverse old Collection or Inventory n

AFTER REMBRANDT (DUTCH, 1606-1669) "THE PRODIGAL SON IN THE TAVERN" OLD-MASTER STYLE PAINTING, oil on canvas, also titled "The Prodigal Son in the Brothel" and "Rembrandt and Saskia" after a painting

Limited edition. Pencil signed lower right. Dated 1939. Thomas Hart Benton (1889-1975). Approx. 10" H x 13 1/4" W unframed. (5204)

Rembrandt Harmenszoon van Rijn (1606–1669) was a Dutch painter and etcher, widely considered one of the greatest artists in European history. He is known for his exceptional skill in capturing human

English, 18th century, in the Italian taste, in a great standard size. Overall 48 1/2" x 58 1/2", rabbet 40" x 50", molding 5".