ROMAN ARTISTA, SECOND QUARTER OF THE 17th CENTURY:

A CHARLES I OAK AND INLAID COFFERSECOND QUARTER 17TH CENTURY 71cm high, 100cm wide, 54cm deep

Italian School (Second/Third Quarter 17th Century) "The Sacrifice of Isaac" oil on linen unsigned, titled in English and French on stretcher, Spanish newsprint on frame backing. Framed. 19" x 26-1/8",

Oil on canvas, cm. 74x59. Framed

French Patinated Bronze of a Seated Noble Roman Lady first or second quarter 20th century, after Duchoiselle (French, 19th Century), cast signature along side. h. 11-1/2", w. 6-1/2", d. 6"

Pair of Italian Parcel-Gilt and Tole Garnitures, the 17th-century Baroque wooden bases reeded and gilt trimmed, and mounted with second quarter 20th-century tole flower standards with daisies, lilies

Pair of French Bronze and Marble Busts second quarter 19th century, the patinated bronze busts depicting notables of the 17th century, above black marble bases with engine-turned bronze fittings. h. 8

second quarter-19th century; clock topped with philosopher among ruins, front of base having symbols of the Roman Republic, on paw feet with enamel Roman numerals, 24 in. H., 18 in. W.

Volumes 5 - 8, double Shadowboxed Collection of Italian Plaster Intaglios, second quarter 19th century, of various sizes, taken from ancient Roman gems in the Museo Vaticano, Rome, the book-like case

Volumes 1 - 4, double Shadowboxed Collection of Italian Plaster Intaglios, second quarter 19th century, of various sizes, taken from ancient Roman gems in the Museo Vaticano, Rome, the book-like case

Italian Carved Black Marble of "The Dying Gaul" first or second quarter 20th century, after the ca. 200 BCE Roman marble (itself after a Hellenistic bronze from the 3rd century BCE) now conserved at t

Second-quarter 19th Century Signed: J. A. Paterson / Edenburgh The clock with a white painted iron dial, black Roman numeral hour markers, sub-seconds dial, and calendar dial, two train fusee moveme

* A Napoleon III Marquetry Portico Clock second quarter 19th century of temple form, having a circular enameled dial with Roman numeral hours flanked by twist-carved columns, raised on a bracket base

An English stained pine thirty-hour tall case clock, second quarter 19th century, The painted arched dial, having Roman numerals with date aperture, the twin train movement striking on a bell. Dimensi

glass second half of 17th century, decoration 19th century, cup form bowl, gilt hand painted decoration with arms of the Emperors and Electors of Holy Roman Empire, with inscription and dated "1602",

English, George III William Gilbert, black Japanned tall case clock, last quarter 18th century, having gilt figural chinoiserie decoration, domed hood, silvered dial Roman numerals, seconds dial, date

Three early crucifixes. The first a pocket crucifix in carved wood, 17th century or earlier - 6 3/8" x 5 3/8"; the second in tin, signed on reverse "Santuario De Chimayo 1922" (Roman Catholic Church i

Second quarter 19th century, silk on linen. Alphabet and numerals with different styles of stitching. Done by "Catherine Barns, Canton, Ohio, May 17th, 1832". Framed, 19.5" x 19.5".

Lot 31 14K Yellow Gold P.S. Bartlett Pocket Watch (last quarter 19th century) white enamel dial signed Am. Watch Co., Waltham, Roman numerals, blued steel hands, subdial for seconds, movement signed

An American Country Cherry Tall Case Clock, First Quarter 19th Century. The white-painted arched dial having Roman hours and Arabic minutes, with subsidiary seconds dial and date aperture, the twin tr

First-quarter 20th Century Dial: White porcelain dial with black Roman numeral hour markers, outer minutes track, Breguet-style black hands, sub-seconds, signed James / Picard / Geneve Movement: Ste

An English or Welsh Quarter-Striking Mahogany Tall Case Clock 18th Century the brass dial having a steel chapter ring, Roman numeral hours and Arabic numeral minutes, further set with a seconds dial a

A late 19th century Gustav Becker wall clock. 8-day weight driven time and strike movement with Grand Sonnerie quarter hour chime, engraved Brass dial with applied markers and Roman numerals, engraved

Full title: A large pewter 'temperantia' dish, Caspar Enderlein, Nuremberg, Germany, 1st quarter 17th C. Description: Dia 45,5 cm Ref.: Louvre, Paris, for the original by Francois Briot from Montbelia

Italian-Flemish School (Fourth Quarter 16th/First Quarter 17th Century) "Ecce Homo" oil on wood panel unsigned, various labels en verso including a mid-20th-century one titled and attributed to the Co