Robert Harms (b. 1962): Montauk Road No. 1

Robert Harms (American, b. 1962), "Hydrangeas," oil on canvas, signed and titled verso, canvas: 58"h x 72"w, overall (with frame): 62"h x 76.5"w. Provenance: David Beitzel Gallery, New York (label ver

Robert Schuster (Austrian, b. 1962) Untitled, 1990 oil on canvas 51 1/4 x 40 1/2 inches.

Lot 134 Robert Rector (b.1946) Cross Roads / Mazda (2 Works) lithograph each signed indistinctly lower right, and editioned 1/50 plate (each): 32 x 22 1/4 inches frame dimensions (each): 43 x 33 x 1

Robert KipnissNew York, (b. 1931)A Road's End, 1993color lithograph, ed. 141/275signed and numbered in pencil lower margin, framed. 14140260106 1/2 x 5 inches

LE THANH SON (Vietnamese b. 1962) A PAINTING, "Three Women on a Road," 1995, acrylic on paper, signed and dated L/R, "T. Son '95;" 23 1/2" x 32 1/2", framed 39" x 48".

Christian White (Haida, b. 1962) Carved Argillite Totem Pole signed CW and dated 91 (base) height 6 1/4 inches Property from the Collection of Robert P. Hunter, Jr. and Barbara Hunter, Alpharetta, Geo

Titled "Road to the Sea", pencil signed by the artist, Imp. 70, artist's proof 2 of 15. Dimensions: Sight 23" x 21", the frame 31 1/2" x 29 1/2".

Deborah Roberts (b. 1962)One History, Two Versions (Bullet Points)Screenprint in colours, 2019, signed, dated and numbered from the edition of 100 in pencil, published by Stephen Friedman Gallery, Lon

Knot Monochrome #7, 1992 Pine, polyester, resin and enamel on plywood Signed, titled and dated verso: Robert S. Levine 30" H x 30" W Provenance: Margo Leavin Gallery, Los Angeles, CA The Blake B

Robert Kuptana, Paulatuk (NWT), natural material, miniature shaman mask on stand, the eyes in black pigment , and with a hair plume. Signed indistinctly. Measuring, 6”x 2” x 2”. CITE

Robert Kuptana, Paulatuk (NWT), natural material, shaman being transformed, swallowed by two fish (one on each arm). Signed with syllabics. Measuring, 6” x 5” x 5”. CITES rules may a

Robert A. Tino (American, born 1962). Signed landscape limited edition giclee on canvas. Depicts a wild forest with mountain hills in the background. Signed lower right. Includes COA on verso. Limited

Robert Yoder (American, b. 1962), "Simcoe," 2001, mixed media, pencil signed, dated and titled verso, gallery label (Charles Cowles Gallery, Inc, New York, New York) affixed verso, overall (unframed):

Oil on canvas. Signed R. Hopkins Lower Right in the waves and also marked on the reverse (Robert B. Hopkins). 11 1/2" x 6 1/2"

Nocturnal landscape, Oil on masonite, 47 x 63 cm, Signed

Robert B. Inverarity (1909-1999) 1). ''Potlatch Poles,'' woodblock. 7 3/8 x 5''; 2). ''Indian Gathering Bark,'' woodblock, signed, titled and numbered 27 in pencil. 6 x 5''; Illustrated in Martha King

Takashi Murakami (b. 1962) "Jellyfish Eyes - Black 1" Year: 2004 Offset lithograph in colors on smooth wove paper 19-5/8 x 19-5/8 inches (49.8 x 49.8 cm) (sheet) Edition: From the edition of 300 Signe

YINKA SHONIBARE (British b. 1962) "Climate Shit Drawing 1" (2008) Four color lithographic print together with silkscreen glaze, collage with fabrics and foils and die cut somerset satin tub sized, 410

Sung-jae Choi (South Korean, b. 1962) Vase Stoneware 9-1/2 x 9-1/2 inches (24.1 x 24.1 cm) Incised Hangul signature to underside HID03101062020 © 2020 Heritage Auctions | All Rights Reserved

Rosangela Renno, E-print, 1996, Rosangela Renno (Brazilian, b. 1962), "Untitled (Woman/Dress)", 1 of 2, photograph mounted on .25" thick black board, unframed, 40"h x 60"w Provenance: From a Private C

Oil on Board Robert Wettenhall (b. 1939) Quantity: 1 Condition: Good Condition Height: 29cm or approximately 11.42 inches Width: 39cm or approximately 15.35 inches Creator: </

Staykov, Anton (Bulgarian, b.1962), Thriller No. 1, oil on canvas, 1990, signed and dated bottom left and again on the reverse, 19 x 30.25 inches in a simple wooden frame.

each impressed "B. U." and "1962"; 15 1/2 inches high

Acrylic and graphite on board, dated 1995 lower left, titled "Mexico #1" lower center and initialed lower right. Mounted to a heavily constructed plywood backing, unframed. The painting has a luminesc