[RMS LUSITANIA]. Second cabin breakfast menu, 23 February 1...

Printed dinner menu from the ill-fated passenger ship, R.M.S. LUSITANIA, 4pp. 5 x 7.25 in., Feb. 1, 1914, a 'sandwich board' design listing the evening's fare, probably for first class passengers, the

Two small hooked rugs. The first in a Log Cabin pattern - slight wool pull on border, else good condition - circa 1950 - 34 1/2" x 23 1/2"; the second, in a stylized Flower Garden pattern giving it a

Junianus Maius De priscorum proprietate verborum. [Venice]: Joannes Rubeus Vercellensis, 23 February 1490 Chancery folio:8 1/3 by 12 1/4" (303 x 203mm.) 347 leaves (of 348), a-z & [con] [rum] A-Q8 R-S

A pair of Continental white marble Egyptian canopic style urnssecond half 19th centuryheight 23 1/2in (60cm); width 9in (23cm)

A Pair of Louis XVI Gilt Bronze Two Light Wall Sconces Second Half 18th Century Height 23 1/4 x width 15 1/2 x depth 6 1/2 inches.

Large and Well-Built R.M.S. Lusitania Ship Model with Mahogany and Glass Case 75 x 24 x 9 inches (190.5 x 61.0 x 22.9 cm) (model) 80-1/2 x 30-1/4 x 14 inches (204.5 x 76.8 x 35.6 cm) (case) The RMS Lu

Circa second half of the 20th century. The rectangular marble top over a base ornately carved with a pair of dolphins with entwined tails. [47 1/4" x 23 1/2" x 32 1/2" H]. Overall good condition; no a

A Charles X walnut commodesecond quarter 19th centuryWith black fossil marble top.height 37 3/4in (99cm); width 51in (129.5cm); depth 23 1/4in (59cm)

Loose Old European Cut Diamondthe old European cut diamond (7.20 - 7.32 x 4.19 mm) weighing 1.33 carats (actual) (H color, VS1 clarity). GIA Report #2225

Hyatt Quiet, ca. 1964; Polyester and ball bearings; 9 1/8" x 8 5/8" x 2 3/4"; Provenance: Mr. and Mrs. Max Wasserman, Boston; Christie's, New York, February 23, 1985, lot 95; Private Collection

Oil on canvas framed 28 x 20 in, art 23 1/2 x 16 in, manner of Guy Carleton Wiggins NA (February 23, 1883 – April 25, 1962)-(this artwork carries a COA) was an American impressionist painter. He w

A pair of Biedermeier style ebonized and burlwood etageres20th centuryheight 71in (180.5cm); width 41in (104cm); depth 24 1/4in (61.5cm) Provenance: Sold in these rooms, February 23, 2020, lot 330

second half 19th century; with later silk seat cushion; Provenance: The Mrs. Stuart Davis Collection, Beverly Hills, CA; 91 inches wide; 23 inches deep; 33 1/4 inches high; seat height: 14 inches

the first: single saucer (39 inches diameter; 23 inches high with stand); the second: pair of saucers (each: 31 1/4 inches diameter; ranging from 19 to 20 inches high with stand)

Lot 44 Joseph Piccillo American (b. 1941) Study - February (1981) charcoal on paper signed lower right 23 3/4 x 35 3/4 inches frame dimensions: 31 x 41 x 1 1/2 inches, wood frame with glass glazing Pr

ALEXEY STEPANOVICH STEPANOV (RUSSIAN 1858-1923) Rest in the Field, oil on canvas 39 x 59 cm (15 3/8 x 23 1/4 in.) signed lower right PROVENANCE Bukowskis, Stockholm, Sweden, February 12, 1995, lot 88

Patek Philippe Ellipse wristwatch, ref. 3548-1 Switzerland, around 1975 Manual wind movement, calibre 23-300, adj. 5; 18 jewels, hour, minute, second Gold dial, gold hands Watch case, original strap a

Oil on canvas 31 1/2 x 24 in framed, Art 30 1/2 x 23 in, manner of Alma Woodsey Thomas (September 22, 1891 – February 24, 1978)-(this lot carries a COA) was an African-American Expressionist paint

Oil on canvas 29 1/2 x 22 in framed, art 23 x 15 1/2 in, manner of Kim Whanki, also Kim Whan-ki or Kim Hwan-gi (1913–1974), was a pioneering abstract artist of Korea. Born February 27, 1913, in

Oil on canvas 31 1/2 x 24 in framed, Art 30 1/2 x 23 in, manner of Alma Woodsey Thomas (September 22, 1891 – February 24, 1978)-(this lot carries a COA) was an African-American Expressionist paint

L. Fontana signed, oil on canvas with nine holes, 1967, 23 1/2" x 19 1/2", unframed. Provenance: Riccio collection. Provenance: From a Palm Beach collection.

LeRoy Neiman (American, 1921-2012) EPSOM  Acrylic on board, 23 1/2" x 36" Signed, dated '63, and inscribed "Epsom", inscribed verso "Paddock Epsom" Provenance: Hammer Galleries, New Yo

Color Composition, impasto oil on canvas, signed lower right, a blended confetti of pale teal, pink and yellow, unframed, SS: 28 3/4" x 23 1/2", very good condition.

(American, 1848-1933). Oil on board, signed "Louis C. Tiffany" lr, 20 x 23 1/2 in., framed; Consignor states the painting was acquired from Charles Louis Tiffany II as a gift to John S. Buc, grandfath