RICHARD DIEBENKORN Nine Drypoints and Etchings: #3.

Richard Diebenkorn (1922-1993 American) ''Nine Drypoints and Etchings #1'' 1977 Drypoint with Scraping and Burnishing 23.75''x17.75'' Impression. Pencil initialed and numbered 24 of 25 edition lower m

Richard Diebenkorn(1922-1993)"#1" from "Nine Drypoints and Etchings," 1977Etching and drypoint on wove paperEdition: 24/25, aside from an edition of ten artist's proofsInitialed, d

RICHARD DIEBENKORN (American 1922-1993) "#38 from 41 Etchings Drypoints 1965" Drypoint etching. Image: 8 1/4 x 7 1/4 inches; Frame: 18 3/8 x 15 1/2 inches. Pencil signed initials and dated lower right

circa 1965 drypoint etching initialed and dated lower right Provenance: with label verso from James Corcoran Gallery Condition: with crack to pane 8 1/3 x 11 1/2 inches, sight

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Richard Diebenkorn (American, 1922-1993) #20 1965. etching. signed (lower right) and numbered edition 14/25. 17 3/4 x 14 3/4 in. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's

Richard Diebenkorn (American, 1922-1993) #40 1965. etching. signed (lower right) and numbered edition 14/25. 17 3/4 x 15 in. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trus

Richard E. Bishop (American 1887-1975)- ''Up & Out'' (Bishop 93)- etching and drypoint, 1940, signed and titled in pencil, very good condition. 9 1/8 x 11 3/4''

PASSAGE I, 1990, color aquatint with hardground etching, initialed in pencil, from the numbered edition 35, image 20 x 12 ”, sheet 29 1/2 x 20 3/8", printed and published by Crown Point Press, San F

1978; etching; sighed and dated lower right; numbered 25/35 lower left; sheet: 39 1/4 x 25 1/2 inches; 42 x 28 inches framed;

signed G.R. 1929, image area 2" X 3" plus mat and frame, overall 20" X 26", an original aquatint, roulette, drypoint, burnisher, published in 1932, edition of 225.

RICHARD DIEBENKORN (USA, 1922-93), ETCHING & AQUATINT, 1986, #7/60, H 12 1/2", W 21", 'FOLSOM STREET VARIATIONS I':Black. Signed and dated "RD 86", numbered 7/60. Paper size 25" x 33". Black variation

RICHARD DIEBENKORN (USA, 1922-93), ETCHING & AQUATINT, 1986, #7/35, H 19 1/2", W 30", 'FOLSOM STREET VARIATIONS II':Grey. Color etching and aquatint. Numbered 7/35. Paper size 26 1/2" x 40", in shades

Samuel V. Chamberlain American (1895-1975) Drizzly Morning in Chicago, 1929 drypoint etching pencil signed, titled and numbered 34/100 lower margin. Biography from Whistler House Museum of Art: Samuel

Wyllie, William Lionel (British, 1851-1931), Shot Towers Waterloo Bridge, circa 1920, drypoint etching, 3.5 x 13.75 inches, pencil signed from an edition of 150, original black painted wood frame 10.5

Salvador Dali (1904-1989), "Richard II" from the folio "Shakespeare II" (1976), drypoint etching, signed in margin lower right, numbered "E.A." in margin lower left, image size: 7" x 5", frame size: 2

Gene Kloss (1903-1996) February in the Rockies The drypoint etching numbered 3 from an edition of only 75 prints signed by the artist in pencil below the image lower right and titled lower left. Image

Drypoint etching. Three(3) Nudes. Signed and inscribed. Gallery matted and framed. 22k gold wash frame; 12.5in. X 8.25in.(image size with margins)

Richard E. Bishop Drypoint Etching "Mississippi Mallards ,measures 10" x7 ' inches

(4) Percival Gaskell (British 1863-1934) landscape etchings, (3) drypoint, (1) aquatint, each pencil signed Percival Gaskell, largest plate size 11-1/8" x 7-7/8" plate, largest matted size 18" x 22",

William Woodward (American/New Orleans, 1859-1939), "Boy with Cat", 1894, "Little Champlain St., Quebec", 1937, and "Latin Professor", 3 drypoint etchings on paper, each pencil-signed and titled lower

Rembrandt van Rijn (Dutch, 1606–1669), "Christ Crucified Between Two Thieves," 1641, drypoint etching, image: 5.3"h x 3.9"w, overall (with frame): 12"h x 8"w

(American, 1896-1969)Pheasant Shooting, signed lower right "A.Lassell Ripley", inscribed with title, drypoint etching, plate 8-3/4 x 14 in., sheet 13 x 19 in.; unframed

(French, 1859-1927) The Needle, circa 1888, drypoint etching, plate 7-3/4 x 6-1/8 in.; fine gilt wood frame, 16-1/4 x 14-1/4 in. Provenance: Private Collection, New York, New York