Rembrandt van Rijn. The Artist's Mother with Her Hand on Her Chest (1631). New Hollstein 87, V/VI

after VAN RIJN, Rembrandt, (Dutch, 1606-1669): " The Artist's Mother with Hand on Her Chest", Etching on Paper, signed and dated 1631 in the plate, plate size 3.75" x 2.5", framed 22.5" x 21.5". Park

Rembrandt van Rijn (Dutch, 1606-1669) The Artist's Mother with Her Hand at Her Chest. Etching, a later impression 3.75" x 2.5" Frame: 21.75" x 20.5"

Twenty First century. Drypoint etchings. “Bust of a Man Wearing a High Cap; Three-Quarters Right 1630” and "The Artist's Mother with her Hand on her Chest: Small Bust". Printed on “I

Rembrandt Van Rijn (Dutch 1606-1669) Etching, Bartsch 349, "Rembrandt\'s Mother with Hands on Chest, Signed and Dated R.L. 1631, State 2 of 7,Provenance Stakenborg-Greenberg Fine Art, Sarasota, Florid

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without wa

Rembrandt van Rijn, 1606-1669; Old Woman in Black Veil also known as Rembrandt's Mother, Hand on Her Chest. Etching on paper, signed R and dated 1631 in the plate margin; silk mat and framed. Paper tr

A collection of three framed Rembrandt Van Rijn etchings. To include: The artist's mother with her hand 22" x 20.75" Bust of a man wearing a high cap 22" x 20.75" (framed) Self portrait drawing at a w

Framed etching titled "The Artist's Mother with her Hand on Her Shoulder" by Rembrandt Van Rijn. Measures approx 4.75" x 3.5" (21.75" x 20.5" framed). Acrylic under wooden

Rembrandt van Rijn (Dutch, 1606-1669). "RL 1631" on plate. Paper label verso "Artist's Mother with her Etching". In wide gold frame with shadowbox matting. unframed ( height: 6 inch, width: 4 inch) fr

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv

REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook. Etching and drypoint, 1658. 162x81 mm; 6½x3¼ inches, small margins. Usticke's second state (of 2); New Hollstein's second state (of 2).

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm