Rembrandt van Rijn. Self-Portrait in a Flat Cap and Embroidered Dress (c.1642). New Hollstein 210,

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

Rembrandt van Rijn (Dutch, 1606-1669) Self Portrait in Flat Cap and Embroidered Dress, circa 1645; together with Constantijn Van Renesse (Dutch, 1626-1680), Self-Portrait etching on laid paper Rembra

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

Etching. New Hollstein's third state (of 4). 1638 135x105 mm; 5 1/4x4 1/8 inches, narrow margins. Bartsch 20; New Hollstein 170.

Two prints on paper after Rembrandt van Rijn, Dutch, 1606-1669. Includes "The Death of the Virgin" and "Self Portrait Leaning on a Stone". Label verso of Virgin frame identifying as New Hollstein's fi

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

Artist: Rembrandt van Rijn Title: Self Portrait with Plumed Cap and Lowered Sabre Year: c. 1826 Dimensions: 5in. by 4in. Edition: From the rare limited edition Suite: A Col

Van Rijn, Rembrandt Harmenszoon (1606-1669) Self portrait in a cap and scarf with the face dark Description: Etching on paper, signed and dated on lower left Rembrandt f. 1633 Dimension (PO): 5 1/8" x

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without wa

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Artist: Rembrandt van Rijn Title: Self-Portrait with his wife Saskia Year: ca. 18th C Dimensions: 4.3in. by 3.5in. Edition: From an 18th century Basan impression Me

Rembrandt Harmenszoon Van Rijn (Netherlands, 1606 - 1669) After: Self Portrait. Oil on canvas, unframed, sticker with numbers verso. Rembrandt is revered not only as a painter, but also as a supreme m

After Rembrandt Van Rijn (19th Century) Self Portrait oil on canvas 26 x 22 inches. Estimate $500-700

COPY OF REMBRANDT VAN RIJN, OIL ON CANVAS, H 29.5", L 24.5", SELF-PORTRAIT An oil on canvas. Depicting a copy of Rembrandt Van Rijn's 1669 masterpiece, "Self-Portrait at the Age of 63." No observable

Rembrandt Van Rijn (school), Portrait of a Man, School of Rembrandt Van Rijn (Dutch, 1606-1669), Probably a self portrait, oil on cradled panel, unsigned, 29"h x 23"w (sight), unframed Notes/Literatur

after VAN RIJN, Rembrandt, (Dutch, 1606-1669): "Self Portrait Drawing at Window", Etching on Paper, plate size 6" x 5", framed 25" x 24". Park West label and COA affixed verso, not examined out of fra

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark