Rembrandt van Rijn (1606-1669) Three Heads of Women,

Rembrandt van Rijn (1606-1669)Three Heads of Women, One AsleepEtching, 1637, but a later impression of New Hollstein's third state (of three) on thick cream laid paper without watermark, platemark 142

REMBRANDT VAN RIJN (Dutch, 1606-1669)Three Heads of Women, One Asleepetchingsheet: 5 1/2 x 3 7/8 in., frame: 12 1/2 x 9 3/4 in. Provenance: The Collection of Louis Joseph; by descent to the current o

REMBRANDT VAN RIJNThe Netherlands, 1606-1669“Three Heads of Women, One Asleep”, 1637. Usticke's first state (of three), New Hollstein’s second state (of three), printed after the fir

REMBRANDT VAN RIJN (DUTCH 1606-1669), ETCHING, PLATE SIZE: H 5 1/4", W 3 3/8", "THREE HEADS OF WOMEN, ONE ASLEEP":Date that this impression was pulled is unknown; iii/iii; paper size: 5 3/8" x 3 5/8";

(lot of 2) Framed etchings on paper, including: (1) "Three studies of old men's heads," after Rembrandt van Rijn (Dutch, 1606-1669), sight: approx 3 7/8"h, 3 3/8"w, overall: 9.75"h, 9.25"w, (1) Landsc

Rembrandt Van Rijn, Dutch (1606 - 1669) Etching "Bust of an Old Man with Flowing Beard: the Head Inclined Three-Quarters Right". Signed and dated 1630 in plate. Toning, stains. Measures 3-13/16" x 3-3

(Dutch, 1606-1669) Three Studies of Old Men's Heads, after the rare work by Rembrandt from 1630, possibly 19th century by an unknown artist, etching, sheet 4-1/4 x 3-1/2 in.; wood frame, 8-3/4 x 7-7/8

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,

After Rembrandt van Rijn (Dutch, 1606-1669), "Three Trees," etching,drypoint engraving. image: 8.25"h x 10.75"w. Framed under non glare glass, 17.50"x13.50"x1". Weight 2 pds. PROVENANCE: A Charleston

After Rembrandt van Rijn (Dutch, 1606-1669), "Head of a Rat Catcher", signed within matrix at left of cap with date. Scarce small figural etching after the Dutch master depicting a bearded male rat ca

Rembrandt van Rijn, 1606-1669; Old Woman in Black Veil also known as Rembrandt's Mother, Hand on Her Chest. Etching on paper, signed R and dated 1631 in the plate margin; silk mat and framed. Paper tr

Rembrandt van Rijn (Netherlands, 1606–1669) . Old Woman Sleeping , Etching, 1635. B350, only state; Phillips June 1994; Adhered to archival board; Trimmed to plate . 2 13/16" x 2 1/8".

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark

After Rembrandt Harmenszoon Van Rijn (1606-1669). Title: Woman at a Door Hatch Talking to a man & Children. Medium: Antique hand pulled copper plate etching on laid paper after the original by master

Rembrandt van Rijn; Attributed (Dutch 1606–1669) Woman at the Well Pen and brown ink drawing On laid paper with watermark Size-10 1/8x7 7/8 in. Please note that this lot has a confidential reserve.

AFTER REMBRANDT VAN RIJN (DUTCH 1606-1669) ETCHING, "WOMAN BATHING HER FEET AT BROOK" (B200; H.298), TRIMMED TO PLATE. 6 1/4 X 3 1/8"; FRAMED AND GLAZED 11 1/4 X 8 3/4"

Rembrandt van Rijn (Dutch, 1606-1669): Set of Three Etching Restrikes. Etchings on laid paper, set in gorgeous shadow box frames. Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, plate

Rembrandt van Rijn (1606-1669) "Christ and the Woman of Samaria" 1658 Medium: Etching and drypoint, some plate tone; third of five states Dimensions: Sheet (Trimmed ): 4 13/16 × 6 1/4 in. (12.3 Ã

After Rembrandt Harmenszoon Van Rijn. (1606-1669). First Oriental Head. Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831 - 1905). c. 1880 (