Rembrandt Good Samaritan Etching

This is a beautiful etching, after Rembrandt, by master engraver Amand Durand. Titled "The Good Samaritan" (year of original 1633). Etching image size is 10" x 8.5". Paper with border measures 18" x 1

Rembrandt etching, “The Good Samaritan", label on reverse reads The Cooper Collection Washington D.C. size 9-1/2"x 7-3/4" 257mm x 208mm

After Rembrandt Self-Portrait; The Good Samaritan (two works) 19th centuryetching, etching on Van Gelder Zonen 8.5 h &times; 7 w in (22 &times; 18 cm) 10.25 h &times; 8.25 w in (26 &times; 21 cm)<

Etchings and Etchers, 1880, with some etchings including Rembrandt & Meyron, good impressions, Whistler gone, Hamerton, Macmillan and Co, hardbound.

Copper Plate Published 1819-22 by W. Lewis, London for "A Collection of Two Hundred Original Etchings" Good impression on China Paper, neatly pasted onto album leaf (As issued) Rare. Paper Size: 11.5

Medium: etching (after Rembrandt). This is not an original Rembrandt etching, but is a good copy (by artist unknown) etched after Rembrandt. This is a late 19th Century impression printed on laid pape

Medium: etching (after Rembrandt). This is not an original Rembrandt etching, but is a good copy (by artist unknown) etched after Rembrandt. This is a late 19th Century impression on Arches laid paper

After Rembrandt Etching of Windmill, used good condition, framed size 13 1/2" x 15 1/2".

Antique Etching, Signed Rembrandt. Condition: Generally Very Good Condition. Dimensions: Sight-14" x 7.5", Frame-15" x 8.5". Provenance: From a Long Island, NY Estate. Please note the absence of a con

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wove paper without watermark, platemark 91 x 83 mm (3 5/8 x

After Rembrandt van Rijn (Dutch, 1606-1669). A 19th Century later state Durand etching landscape scene. Good overall condition with wear to frame. Measures 1 1/2 in. x 3 1/4 in. (work, not including m

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without wa

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** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark

** Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a good impression of New Hollstein's third state (of four) on laid paper without watermark, printing with plate tone and w

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

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** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new Hollstein's third state (of five), on cream laid paper

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv