REMBRANDT ETCHING WITH ENGRAVING "THE DESCENT FROM THE CROSS"

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Sir Nicolas Dorigny (French, 1658-1746) "The Descent from the Cross," 1710, etching and engraving, posthumous restrike, after painting by Daniele da Volterra (Daniele Ricciarelli) (Italian, 1509-1556)

After Rembrandt, The Descent From the Cross. Etching.Overall size: 33 x 28 in. Sight size: 21 x 15 3/4 in. Please contact Nic at Info@premiershipment.com for an estimated shipping quote prior to biddi

After REMBRANDT VAN RIJN (Dutch 1606-1669) "The Descent from the Cross, 1633" Etching (posthumous print). Sight: 20 x 15 5/8 inches; Frame: 40 1/2 x 35 3/4 inches. Annotated beneath image.

Rembrandt van Rijn (1606-1669), "Descent from the Cross", marked 1633, etching, framed frame: 34.5 x 28.5" We happily provide seamless shipping services on everything we sell. Please email us at shi

HAND PULLED ORIGINAL ETCHING. FRAMED IN A GORGEOUS CARVED SILVER WOOD FRAME WITH A DOUBLE MAT. Rembrandt (1606-1669). In this monumental Rembrandt The Descent from the Cross: Second Plate, 1633, Rembr

Rembrandt Etching Engraving of Bearded Man Bust 1631. Auction records for this particular subject have not been found online; interested bidders are encouraged to consult the new edition of Hollstein'

after Rembrandt- ''Three Trees''- etching, by Armand Durand, aritst red stamp verso. 8 1/4 x 10 7/8''

"Cross Road" Early Etching/Engraving Nicely Framed Unsigned by Artist (Frame Size 10.5" x 12.5"). $10.00 Domestic Shipping.

After Rembrandt 17th century Etching. Titled "Three Crosses". 1653. Signed along bottom. Scene depicting Christ crucified between the two thieves. Rembrandt Harmenszoon Van Rijn (1606 - 1669) was acti

Rembrandt Etching from the original copper plates restored by Armond Durand Custom Framed and includes documentation Approx 30x26 inches.

Rembrandt Etching from the original copper plates restored by Armond Durand Custom Framed and includes documentation Approx 30x26 inches.

Reichsdruckerei, (17) facsimile prints, 19th/20th c., Berlin, etchings and engravings, including Rembrandt and other Old Masters, most stamped on verso as facsimiles, some embossed "Reichsdruck" each

Four various framed etchings and engravings after Rembrandt and others

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt (Dutch 1606-1669) Old Man with Beard, Fur Cap and Velvet Cloak (Bartsch 262) etching and engraving, 1631-32.   5 7/8 x 5 1/8"

REMBRANDT VAN RIJN (Dutch 1606-1669) "Peter and John Healing the Cripple at the Gate of the Temple" Etching, engraving and drypoint. Image: 7 x 8 1/2 inches; Sheet: 8 5/8 x 10 1/8 inches; Frame: 21 1/

"The Raising of Lazarus, Larger Plate". Signed in the plate. Millennium edition. Etching, Engraving and Drypoint on Ingres d'Arches paper. Plate measuring 14 1/4" by 10". Sheet measuring 17 1/4" by 12

After Rembrandt van Rijn, Dutch, 1606 to 1669 Amsterdam, etching, engraving and drypoint on paper titled The Flight into Egypt: Crossing a Brook. Signed in the plate and dated 1654. With the inscripti

Etching, engraving and drypoint on Ingres d Arches off white laid paper (watermark) with large margins. Signed in the plate on the rock behind Christ. The 10th state according to Bjorklund and Nowell-

Three old and antique etchings and engravings: antique engraving, titled Arco di Gallieno by Domenico Amici (Italian, b. 1808); together with two etchings after Rembrandt van Rijn (Dutch,

After: Rembrandt Van Rijn, Dutch (1606-1669) Etching Drypoint and Engraving "Jan Cornelis Sylvius, preacher" Circa 1816, London. Measures 16-3/4" H x 5-3/4" W, frame measures 12-1/2" H x 11-1/2" W. Co

Possibly Armand Durand (No Red Stamp), Paris 1831-1905 Signed Etching, C. Lasinio, 1757-1839, Etching/engraving, Paul Adolphe Rejon, 1843-1888, original etching "Rembrandt in his studio" F.A. Bridgman

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1