Reginald Marsh, hand-tinted etching, 1930

Reginald Marsh (American 1898-1954) Etching, "Loco--Going Through Oneida, " 1930, etching, signed Reginald Marsh (F.M) by the artist's widow in pencil lower right, matted and framed. Sasow

Reginald Marsh (American, 1898-1954) Print. Title - Gaiety Burlesk. Original 1930 etching print. Sasowsky 102. Signed in plate lower left Reginald Marsh 1930. Signed Proof in pencil lower left. Whitne

Reginald Marsh (American, 1898-1954), “Gaiety Burlesk,” 1930, etching, pencil signed lower right, edition 10/47, image: 11.75”h x 9.5”w, overall (with frame): 19”h x 16.75”w

Marsh, Reginald (American, 1898-1954), Irving Place Burlesk, 1930, posthumous 1969 edition of 100 by The Whitney Museum, etching, unsigned, 28/100 in pencil lower left margin, 9.75 x 11.75 inches, fra

Etching. Pencil signed lower right. unnumbered. With label of Art Lending Services, Museum of Modern Art. With information and Associate American Artists label verso. Informational label states 1930,

Reginald Marsh (1898-1954) Etching "Locomotive Waiting to be Junked, pencil signed lower right, "Reginald Marsh", numbered lower left, "13", and titled in pencil in his hand writing lower left "P.R.R.

Hand colored lithograph showing several ladies shopping for chickens at Cincinnati's Findlay Market, done by Rookwood Pottery artist E.T. Hurley in 1917. Signed and dated by the artist in the plate in

Reginald Marsh (American 1898-1954)- ''Coney Island Beach'' (Sasowsky 153)- etching, 1934, numbered 33/100 in pencil, from the Whitney Museum edition printed in 1971, Museum blindstamp lower right, ve

Reginald Marsh (1898-1954) ''Two Flappers Walking'' (Sasowsky 64) etching, 1929, signed and numbered 10/50 in pencil, 4 3/4 x 3 3/4''

Reginald Marsh (American 1898-1954)- ''Coney Island Beach #1'' (Sasowsky 191)- etching, 1939, initialed and dated in plate, ed. 19/100 in pencil with ''WM'' blindstamp lower margin, Whitney edition of

Reginald Marsh (American 1898-1954)- ''Flying Concellos'' (Sasowsky 163)- etching, 1936, inscribed in pencil 'Working Proof Second State', white line on right side of image and margin. 7 3/4 x 9 3/4''

Reginald Marsh- Kenneth Hayes Miller (Portrait) (Sasowsky 108 vi/VIII)- etching, 1931, good condition. 7 x 5''

Reginald Marsh (American 1898-1954)- ''Morning in May'' (Sasowsky 169)- etching, 1936, numbered 94/100 in pencil, Whitney Museum publication as blindstamped WM in lower right margin. 8 1/8 x 11 1/4''

Reginald Marsh (1898-1954) ''Modern 1939 Venus'' (Sasowsky 184)- etching, 1939, numbered 9/100, published in 1969 by the Whitney Museum of Art, light struck. 8 x 12''

Reginald Marsh (American 1898-1954)- ''Skyline from Pier 10, Brooklyn'' (Sasowsky 129)- etching, 1931, numbered 94/100 in pencil, Whitney Museum publication, small ding near center of image, blind sta

Reginald Marsh (American, 1898-1954) etching "People's Follies", etching on paper, blindstamp "WM" for Whitney Museum, edition 35/100, Associated American Artists card on reverse, -1/4" x 11-3/4" plat

"Daffy Duck" is a limited edition etching on paper with hand-tinted coloring from Warner Bros. (dated 1999) and numbered! This piece is framed. Measures approx. 8.5" x 8.5" (with frame), 1.5" x 1.5" (

"Daffy Duck" is a limited edition etching on paper with hand-tinted coloring from Warner Bros. (dated 1999) and numbered! This piece is framed. Measures approx. 8.5" x 8.5" (with frame), 1" x 2" (each

Salute, Venice 19th C. Hand Tinted Etching in frame. Sight Size: 7.75 x 10.75 in.

"Sylvester" is a limited edition etching on paper with hand-tinted coloring from Warner Bros. (dated 1999) and numbered! This piece is framed. Measures approx. 8.5" x 8.5" (with frame), 1.5" x 1" (eac

Each measuring by plate size only approximately 6 inches high by 4 3/4 inches across. Total size framed 12 1/2 inches by 10 inches. Both are pencil signed by the artist. Condition. One piece has sun f

MARC CHAGALL (RUSSIAN-FRENCH 1887-1985) The Vision Of Ezekiel (Ezekiel: I, 4-14), hand-tinted etching plate: 32 x 25 cm (12 5/8 x 9 7/8 in.) signed with initials lower right; numbered 93/100 lower lef

Laurels Number One, 1947, signed ltd. ed., Laurel Gallery, May 1947, #15/300, with color wood engraving signed Anne Ryan, engraving signed Reginald Marsh, etching signed George Constant, and lithograp

Medium: original etching. One of the better known Reginald Marsh etchings, this impression is from the edition of 100, issued by the Whitney Museum in 1969. The catalogue reference is Sasowsky 171 vi/