Raccoon on mountain, Mori Tetsuzan ???, (1775-1841)

Mori Tetsuzan (Japanese, 1775-1841) Watercolor and Ink on Silk Scroll Undated, ink and chop seal signatures lower right, depicting a family of three monkeys in a landscape, one of them holding an inse

Mori Tetsuzan (Japanese, 1775-1841) Carp, Ink on paper, Signed middle left. Framed dimensions: H: 28 x W: 52 in. H: 23 1/2 W: 48 in. From the Estate of Robert J. Jergens. Proceeds to benefit the Cleve

Artist: Mori Tetsuzan Raccoon Dog and the Moon A woodblock print produced based on an earlier Tetsuzan painting. Size: O-tanzaku. Approximately 14.5 x 7.5 inches. Date: ca. 1900. Bears Tetsuzan signat

45.8 Brand new Fleece lined adjustable with drawings

Otto Sommer (German/American, 1811-1911), "Mountain Lake", 1841, oil on canvas, signed and dated lower left, "Charles Harris Design Original Frames, Boston, MA" and "Skinner" labels on reverse of fram

Grafton Tyler Brown (American, 1841-1918), Mountain Vista, 1891, oil on panel, signed and dated lower left, panel: 9.25"h x 12"w, overall (with frame): 13.5"h x 16"w

Framed oil on wood panel painting, 1828, dated and signed lower left Van Assche, attributed to Hendrick van Assche (Belgium, 1774-1841), depicting a mountain landscape with water mill, figures on hors

Manner of John Joseph Enneking(American, 1841-1916)Autumn Mountain Landscapeoil on canvassigned "Enneking" (lower left) and inscribed "37 Cornhill" (stretcher)17 1/2 x 23 1/2 inche

WALTER WILLIAMS (British-Active 1841-1876) A PAINTING, "Mountain Overlooking Water," oil on canvas, dated 1863. 9" x 7"

Arthur ThieleGermany 1841- 1919 Impressionist landscape depicting swaths of conifers at the base of an impressive snow laden mountain range. Thiele studied with Ludwig Richter, Julius Hubner at the Dr

Studio of Axel Theodor Lindahl (Sweden/Norway, 1841-1907) oil on paper mounted to canvas painting of a Swedish or Norwegian landscape, with two figures rowing a boat across a fjord between steep, rock

Large Ceramic MOUNTAIN GOAT Figure Statue 31 inches length x 17.75 inches height size: 17.75 in. x 31 in. x 10.5 in.

JMW Turner (attrib.), inkwash on paper,1841, Attributed to Joseph Mallord William Turner (English, 1775-1851), "Rochester Oyster Fisherman", no signature observed, artist name, title and date inscribe

Attributed to Peter Moran (American, 1841-1914), oil on board depicting a mountain view in Oregon, inscribed verso "'A View in Oregon' painted by my Grandfather Peter Moran 1861", 10 1/4" x 18 1/4" bo

George William Whitaker (Rhode Island/New York/Massachusetts, 1841-1916) oil on canvas Barbizon School landscape depicting a sparse field with trees against a small range of mountains and an overcast

This original cocktail waitress stand houses a three reel gooseneck bell slot machine. Has Pace Manufacturing Company "Mr. Operator" instructions. Includes keys. Circa 1948. Condition (Excellent). Siz

(1737 Prenzlau - 1807 S. Pietro di Careggi bei Florenz) attr.; Weite Landschaft mit Blick auf die Wasserfälle bei Tivoli Mit seinen Tempeln und Parkanlagen der römischen Antike s

Oil on canvas (unframed) 73.7cm x 58.4cm; (framed) 88.9cm x 73.7cm. Carducho was one of the greatest artists of the Spanish Baroque period and his influence continued for many decades after his death

TÄBRIS Persien, um 1930/40 550 x 342 cm. Gebrauchsspuren.

(1866 Zagreb - 1924 Wien) Freundinnen Zwei Frauen, spärlich bekleidet mit überaus wallenden Tüchern, scheinen gerade das gemeinsame Liebespiel beendet zu haben. Während sich eine D

MAX GAISSER 1857 Augsburg - 1922 Munich The pawnbroker examining his treasures Oil on wood. 47,5 x 58 cm (F. 67 x 77 cm). Signed lower right 'M. Gaisser'. Verso: label with the title in English 'Exami

Vase, 20th century, round base, body with slightly widening walls, 4-pass spout, clear and violet glass with combed fusions in green and violet, h. 15 cm

Salvador Dali Original Lithograph Sade de Marquis Limited Edition Hand signed and numbered by the artist Salvador Dali. Approx size is 32x25 inches. Custom framed and includes documentation.

Barbed, tip-curled and oblique leaves are easily the most common of Mehriban field motives, but here they are joined by ragged palmettes and overflowing irises, accented in ecru, near black, pale blue