PR CHINESE PORCELAIN MAIDEN FIGURES

Pr Chinese Famille Rose porcelain figures, finely painted, small chip to rope of one figure, repair to fingers of woman with flute, 10-1/2" h

Chinese. Pair of long necked mirror image cranes, in bianco-sopra-bianco enamel with band of black feathers, and standing on black and green trunks. Apparently unmarked. Approx. h. 10.75".

Chinese. Pair of mirror image turquoise and famille rose export porcelain exotic birds having colorful plumage and fanned crest perched on green rock. Apparently unmarked. Provenance: Acquired from So

Pr. Chinese Republic famille rose porcelain figures, depicting two fairies throwing flowers from the heavens. Signed by "Yu Bing Chang". PROVENANCE: From a Private Collection in Dallas, Texas. 13"H, C

PAIR OF CHINESE SANG DE BOEUF GLAZED PORCELAIN FIGURES. Height: 19 in. by Width: 8.5 in. by Depth: 7 in.

Pr. of Qing Chinese Porcelain B&W Sancai Maidens, 12.75in

Two Chinese offering figurine statues modeled as the Immortal Lan Ts'ai-ho or Lan Caihe, known as the Strolling Singer. Porcelain with Famille rose enamel colors. Each sculpture is modeled dressed in

On Copper, holding baskets, heads and hands detachable. Dimensions: 10 1/2" H x 4 1/2" W (FROH535/2) (WT)

Pr Chinese B & W Porcelain Moon Vases with figures and scrolling lotus; well modeled dragon handles. Restored chip to mouth of one. Height 11 3/4 inches (30 cm.).

Pr. Chinese blue and white porcelain jars depicting figures in clouds with various objects, the lids with hinged iron mounts. 31"H x 14" Dia., Circa - 20th C.

(2) Pr. Chinese Qing famille rose porcelain vases, depicting figures and landscapes. PROVENANCE: From the Collection of Wei Yuan Hsueh and Emily Hsueh, Dallas, Texas. Owners of the former Oriental Art

19th Century Pr Chinese B & W Porcelain Moon Vases with figures and scrolling lotus; well modeled dragon handles. Restored chip to mouth of one. Height 11 3/4 inches (30 cm.).

Pr. Chinese Qing famille rose porcelain plates, depicting figures in landscapes. PROVENANCE: From the Collection of Wei Yuan Hsueh and Emily Hsueh, Dallas, Texas. Owners of the former Oriental Art Sho

Pr. of 19th C. Chinese porcelain famille rose maidens figurine lamps, 9.5in, total: 25in

Pr Chinese Blue & White Porcelain Plates well painted with figures and elaborate borders; underglaze blue mark on base. Good condition. Diameter 7 3/4 inches (20 cm.).a white on white carved plate wit

Two turn of the century Chinese porcelain plaques. Each inset with hand painted porcelain figures on Black stucco with two signature seals within molded wooden frames. Numerous small chips, cracks, an

Pair of hand painted Chinese octagonal planters with alternating panels of figural and landscape scenes surrounded by chicken skin textured areas and small applied figures of squirrels. Each planter h

DESCRIPTION: A Pair of Antique Chinese porcelain plaques inset into a wooden frame, depict regal maiden figures at the center and calligraphy inscribed plaques along the top and bottom. Completed with

Pair Famille Rose figural decorated bowls with turquoise glaze interior. Each bowl of Qianlong form with flared rim and low foot, overglaze-decorated with 3 female figures in a boat and pagoda, landsc

Pair of Chinese porcelain ginger jars turned into table lamps on carved circular wood bases with single light socket. Base has white ground decorated with florals, Chinese figures and landscape scenes

Chinese pair of large blanc de chine porcelain figures of Guanyin, mounted as table lamps. The pair sits on gilded wooden bases emulating clouds. The figures were made in the early 20th century, with

Pair of Chinese porcelain and bronze table lamps with glazed crackle finish, dual sockets and applied figures around the top. Each lamp has 4 blue & white painted scenes surrounded by yellow gold Chin

Chinese. Pair of famille rose porcelain figures, each modeled as a clever monkey, reading a book while seated on a peach. Unmarked. Provenance: From the Estate of Joan O'Brien Diemer, Atlanta, Georgia

Mirror image. three figures in an outdoor setting, one riding on a cow, each with round vignette of a scholar overlooking the scene below, verso with five rows of black Chinese inscriptions, each with