Poetry WARP & WOOF Clark 1915 epilepsy

Claude Clark 1915-2001 was a African American Artist from Oakland, Ca. Way too much to say about this artist, but I’ll hit a few high notes about him. Clark studied at the Philadelphia Museum of Art

William Reuben Clark Wood (1875-1915) Medium: oil on canvas Title: "A Clearing in the Woods," East Greenwich R.I. DATE: Signed and dated 1907 on lower left. Size : 24" X 19.5" inches (36" X 31" framed

Rubaiyat Of Omar Khayyam, 1915 English Illustrated Poetry Book. 10 " x 8" x 2" H. Rubaiyat Of Omar Khayyam Rendered into English Verse by Edward FitzGerald. Illustrated in Color and Line by Rene Bull.

Navajo Crystal Rug, c. 1915, 74" x 49". The warp count is 7, and the weft count is 24, per inch. Includes an old tag that states the date as 1930s, but this weaving is from around 1915. Acquired from

FORAARSDAG CHARLOTTENLUND (A spring day in Charlottenlund Forest), 1915, oil painting on canvas, signed and dated lower right, 15 ½ x 24 5/8”. Sold at Bruun Rasmussen auction Copenhagen D

22K 1915 U.S. 2 1/2 Dollar Gold Coin Mounted As Charm Or Pendant, 4.3g. Tests as 22K. Approximately 0.75L x 0.75W in. ALL CREDIT CARD WILL BE MANUALLY VERIFIED PRIOR TO SHIPMENT.

Robert Motherwell (1915-1991) After 'In Brown and White', 1975 Wool weft on cotton warp 85 x 58 inches (215.9 x 147.3 cm) Ed. 2/7 Signed by both&comm

[Poetry] Eliot, T.S. The Love Song of J. Alfred Prufrock. Published by Seymour, Daughaday and Company / Harriet Monroe, Chicago, 1915. First edition 8vo, pp.130-135 (Poetry Magazine), slim buff paper

An Ernest Rancoulet (French, 1870-1915) bronze sculpture titled Les Arts Aides, de Génie et de La Poesie (The Arts Aids Engineering And Poetry) depicting two women, one with lyre, embracing with a

unusual bisque porcelain dollhouse dolls, children, smiling, fix inset glass eyes, bisque arms, different postures of hands, bisque legs, arms and legs are jointed, modelled shoes and socks, extremely

Artist: LeRoy Neiman Title: Blue Hockey Year: 1972 Dimensions: 27.25in. by 22in. Edition: From the rare limited editon of 200 Medium: Original seriagraph on pap

EN OBSERVATION, 1992-1993, gouache, watercolor and ink and collage on paper artist mounted to canvas, signed lower left, dated lower right, signed and dated and titled on verso, 53 ½ x 29 &frac

CHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

MUJER SENTADO, 1961, oil painting on canvas, 39 ¼ x 51", signed and dated lower right, framed. From the Collection of Herb Solow, the executive in charge of production for Star Trek the original tele

Porcelain chinoiserie and gilt decorated cache pot 6” tall; A pair of later 19th century Chinese export famille rose plates 8 ½” diameter; Two antique Chinese footed plates with stamps and/or sea

THE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

STUDIES OF THE MALE BACK, triptych, 1987, three color lithographs, each signed in pencil and inscribed H. C. (Hors Commerce), aside from the numbered edition 99, images 23 5/8 x 17 5/8”, sheets 31 3

MUJER, 1986, oil painting on stretched burlap, signed and dated lower right, 23 7/8 x 15 7/8", framed. Original lost provenance: Lopez Quiroga Galeria, Mexico. From the Dr. Burton Fink collection.

SOURCE, 1965, sumi-ink and gold leaf on paper wrapped card artist mounted to wood panel, stamped lower right, signed and dated on panel verso, 16 x 12 ½”, frame 16 ¾ x 13 ¼&

PANTECHNICON (Movers), oil painting on backside of Masonite with wood support on verso, signed lower right, 64 ½ x 48 x ½”, frame 74 x 58 x 2”. Provenance: Atkinson Art Galle

ETRUSCAN (SPECIAL), special order coffee table 60” long, 30” wide, 17” tall, LaVerne Gallery label underneath, in good condition.

PIO PER MARI E MONTI (Pious by Sea & Mountains) 62’/28, c.1985, color embroidery, signed and inscribed 62’/68, on the verso, 6 ½ x 6 ¾”, in good studio condition. Provenance: Artist’s signed

BRIGHT OWL (AR.285), 1955, painted and glazed ceramic rectangular dish, with the Madura and Edition Picasso stamps underneath, from the edition of 450, size 32 cm x 39 cm or 15 ¼ x 12 ¾�

OCCUPY (Ox), 2012, oil painting on linen, signed and dated lower right, 73 x 100”, frame 74 ½ x 101 ½”, available crate 81 x 108 x 7 ½”. Provenance: Corey Helfor