Peter Howell (British, b.1932)

Peter Howell British, b. 1932 Early Morning on the Track, Keeneland, Breeders' Cup 2020 Oil on canvas Signed & inscribed en verso The two paintings represent a union of some of the icons of Thoroughbr

Peter Howell (1932-) Untitled (Four Horses with Riders) oil on board 14 x 18 inches 19 1/2 x 25 1/2 x 1 3/4 inches (frame) signed and dated lower right: Howell 76 Provenance: From a Private Collection

Peter Howell (1932-) Untitled (Two Horses) oil on board 14 x 18 inches 19 1/2 x 25 1/2 x 1 3/4 inches (frame) signed lower right: Howell Provenance: From a Private Collection

Ivan Chermayeff (British, b.1932), Abstract, color lithograph, pencil signed, 29.5" x 25.5" (sight) Provenance: From a major corporate collection, NY

Collection of 3 19th Century Watercolors and 1 Pastel, Including: Attributed to De Wint, Peter (British, 1784 - 1889), A River View with Boat, signed verso & Attributed to Ward, Harry (British, 1844 -

John Clymer (British, b.1932). An oil on canvas landscape of a couple strolling among trees. In gilt wood frame. Signed lower left. Canvas: 24in x 36in. Frame: 31-1/2in x 43-1/2in. | Philadelphia Metr

Ronald King (British, b.1932), "Prologue to the Canterbury Tales, XVI" 1978, book with 15 original screenprints, one print signed by artist, published by Circle Press Publications, 131/250, edition ov

Ronald King (British, b.1932), "Prologue to the Canterbury Tales, III" 1978, book with 14 original screenprints, one page signed by artist, published by Circle Press Publications, edition 77/250, over

Artist/Designer; Manufacturer: Matthew William Peters (British, 1742-1814)Marking(s); notes: no marking(s) apparentMaterials: oil on canvasDimensions (H, W, D):

Studio of Sir Peter Lely, R.A. (British, 1618-1680) "Portrait of a Gentleman in Armour and Lace Cravat, Landscape in Background, Probably Sir Thomas Myddelton, 2nd Bt. (1651-1684)" oil on canvas unsig

Manner of Sir Peter Lely (British, 1618–1680) Portrait of a Seated Lady in an Exterior Oil on canvas49 3/4 x 40 1/4 in. (126.4 x 102.2cm) Provenance Private Collection, Virginia.

SIR PETER LELY (BRITISH, 1618-1680), OIL ON CANVAS, H 48.5", W 39", FRANCIS CONTELS OF DORSETT WIFE OF RICHARD EARL OF DORSETT MOTHER OF MARY COUNTELS OF ORRERY AN. 1646 Depicted in a forest landscape

Sir Peter Scott (British, 1909-1989) Caspian Dawn, Lesser Whitefronted Geese signed and dated 'Peter Scott 1944' (lower left) oil on canvas 51 x 76.5cm (20 1/16 x 30 1/8in). Footnotes: Pr

Follower of Sir Peter Lely (British 1618-1680) Portrait of a Lady, Said to be the Duchess of Marlborough, Half-Length Oil on canvas 27 1/4 x 23 1/4 in. (69.2 x 59.1cm) PROVENANCE: Private Collection,

Manner of Sir Peter Lely (British, 1618-1680), "Portrait of a Lady in Green Silk Robes", oil on canvas, unsigned, 49 1/2 in. x 40 in., framed with artist plaque

Peter Doig (British, born 1959) Cyril's Bay Giclée printed in colours with screenprint varnish, 2008, on wove, signed, dated and numbered 427/500 in pencil, published by The Tate Gallery, London,

Peter Biegel (British, 1913-1987) Salisbury Races signed and dated 'Peter Biegel/48' (lower right) oil on panel 36 x 27.5cm (14 3/16 x 10 13/16in). Footnotes: Provenance With Rowl

Manner of Sir Peter Lely (British, 1618–1680) Portrait of a Man, Bust-Length, Said to be Sir Richard Newdigate Oil on canvas 30 x 25 in. (76.2 x 63.5cm) PROVENANCE: Private Collection, Virginia.

Peter Hayes (British, b. 1946)Three Forms, 1994-1998Raku-fired ceramic with

After Sir Peter Lely (British, 1618-1680) 18th Century Portrait of a Lady oil on canvas 29 1/4 x 24 1/4 inches. Property from a Private Collector, Chicago, Illinois

Peter Stroud (British, 1921-2012) A Set of Six Prints, 1971 screenprints each signed and numbered 110/125 in pencil Each: 25 1/2 x 31 1/2 inches.

Peter Hayes (British, B. 1946) Copper Bound Form. Signed. c. 1995. Ht. 21" W 4 1/2". Graham Gallery, #M90485. Estate of Annette McGuire Cravens, Buffalo, NY.

After Sir Peter Lely (British, 1618-1680) "Portrait of the Duke of York, Later King James" oil on canvas unsigned, feigned oval, expository inscription en verso, after the ca. 1665/70 unfinished portr

After Sir Peter Lely (British, 1618-1680) "Portrait of King Charles II" oil on canvas unsigned, feigned oval, after the 1675 portrait in the National Portrait Gallery, London. Framed. 29-1/2" x 24-3/4