Paolo Caliari, called Veronese Italian, 1528-1588

after PAOLO VERONESE (Italian 1528-1588) attributed to GIOVANNI "GIAN" DOMENICO FERRETTI (Italian 1692-1766) A PAINTING, "Abduction of Europa," 1720-1740, oil on canvas, signed indistinctly, "Pietro R

manner of PAOLO VERONESE (Italian 1528-1588) AN OLD MASTER STYLE PAINTING, "Feast at the House of Levi," PROBABLY PARIS, 18TH/19TH CENTURY, oil on canvas, a study of the central portion of the origina

(possibly 16th/17th century) The Judgement of Solomon, unsigned, inscribed verso in ink crediting the work to Paolo Veronese (Italian, 1528-1588), red chalk on laid paper, 6-5/8 x 9-7/8 in.; modern fr

Follower of Paolo Veronese (Italian, 1528-1588), Study of Hercules and Antaeus, ink and wash on paper, unsigned, attribution inscribed verso, overall (in mat): 17"h x 12"w

Paolo Veronese (studio) (Italian 1528-1588) Martyrdom of St Sebastian c. 1565 Drawing on laid paper; pen, ink and brown wash With an "IHS" watermark. The cross is above the "H"; 16th century watermark

Three art books and albums on Italian Renaissance and Baroque painting. Caravaggio by John T. Spike, published by Abbeville Press, New York, 2001. The Art of Paolo Veronese 1528 to 1588 by W.R. Rearic

Valentin Lefebre after Paolo Veronese (1528-1588), 17th century, Engraving, Assumption of the Virgin. Published by Jacobus van Campen. Approx. 18" x 12 1/4"

After Paolo Vernese (Italian 1528-1588), Monumental Oil on Canvas Painting. The Marriage at Cana. The presentation of the virgin. 107" x 51"

CIRCLE OF PAOLO VERONESEItaly, 1528-1588The supper at Emmaus. Signed and inscribed in ink and in period script verso “Paulus Veronese Venetia” and "N 134". Squared in pencil for

Veronese, Paolo (Verona 1528–1588 Venedig) in der Art Anbetung der Könige. Öl auf Leinwand. 97,5x137 cm. - Doubliert.

The final issue of Mexican Art & Life (July 1939) In the 400th anniversary of printing in Mexico, counting from “the establishment of the first printing shop by an Italian called Giovanni Paoli, com

After Jacopo da Palma called Palma Vecchio (Italian, ca. 1480-1528) "Portrait of a Young Woman, Called La Bella" oil on canvas unsigned, after the 1518/20 portrait now conserved at the Museum Thyssen

CARLETTO CALIARI; Sohn, Schuler und Mitarbeiter des Paolo Veronese. "DIE FINDUNG MOSIS" Renaissance Painting "The Finding of Moses" Oil on Canvas -- Dimensions: Image Size: H: 24 inches: W: 37.25 inch

Attributed To Agnolo di Polo dei Vetri 1470-1528 Terra Cotta Bust Of Saint Luke. St. Luke, also called Saint Luke the Evangelist, (flourished 1st century ce; feast day October 18), in Christian tradit

Bronze with etched glass doors. Stamped Piglia Paolo, Via Bava 39, Torino. 63 1/4"h. x 55 1/2"w. x 18"d.

Follower of Paolo Veronese St. Barbara oil on canvas 19 1/5 x 16 1/4 inches. This lot is located in Palm Beach. Property of a South Florida Collector

Lampada a sospensione Ottone, vetro soffiato incamiciato. Prod. Venini, 1960 ca. h cm 66, diam. cm 50 LITERATURE: Davide Alaimo, Mobili di architetti e progettisti torinesi 1945-1965, Deposito Cultura

Ottone, vetro soffiato. 85,00 x 50,00 x 50,00 cm - Brass, blown glass. 33.46 x 19.68 x 19.68 in.

895 sofa . Wood and padded fabric.. Cm 155,00 x 74,00 x 92,00. 1940s. Literature (armchairs): Alaimo D., Mobili di architetti e progettisti torinesi 1945-1965, Deposito Culturale, Torino, 2019, p. 72

After Paolo Veronese, The Supper at Emmausξ original painted (c. 1555), Frame: 33 1/2 x 49 inches Canvas: 29 x 44 inches Condition: Good.

Pair of armchairs. Wood and padding velvet.. Cm 80,00 x 70,00 x 85,00. 1940s. Literature: Alaimo D., Mobili di architetti e progettisti torinesi 1945-1965, Deposito Culturale, Torino, 2019, p. 72

Icaro, Paolo (Italian, b.1936), Against Man, c.1979, white plaster sculpture, unmarked, 13 x 10.5 inches, with original hole on back for hanging. Provenance: Jack Tilton Gallery, NYC, purchased by the

After Francesco Giovanni Gessi (Italian, 1588-1649) Portrait of a Lady oil on canvas 27 x 20 1/4 inches. Property from the Estate of Anne M. Baker, Peru, Illinois

After Paolo Veronese. 18th C. Sight-44"h x 38"w Overall- 4'4" h x 45-1/2"w