Old Master pastel drawing

Title: Ring Master.Artist: Rose Alber (1931 - ) Pastel drawing, undated.Signed in pencil in lower, left of center. Titled on the gallery label on the back of the presentation board. Image size 11 3/8

Old Master School, drawing, 19th c., untitled portrait of a bearded man, pastel on paper, no signature observed, 10"h x 8"w (sight), 17"h x 15"w (frame) Provenance: Property of a New York City Collect

Lot 44 Anonymous (XVII/XVIII/XIX) Madonna (16th/17th century) graphite on paper with collector's marks of Colonel Count Raffaello Lamponi Leopardi of Florence and Charles Henri Marcellis to recto and

(Flemish, 1577-1640) chalk, pen, ink, and wash on chain laid paper, 17th C., titled "Summer: Peasants Going to Market, ca. 1618", bears initialed watermark. The original oil is in the Royal Collection

Attributed to Antonio Gionima (Venice 1697-1732 Bologna) Extremely fine and rare old master drawing attributed to Antonio Gionima. pen and ink with wash.some old repair.With early inscriptions from fo

Florentine School, 17th c. Old Master drawing, Florentine School (17th c.), "Bearded Apostle", red ochre on paper, 12"h x 7.5"w (sight), 19.5"h x 14.5"w (frame)

Old Master 16th C. Drawing, After Raphael Sanzio (Italian 1483-1520) "The Fire in the Borgo" 1514. Illegibly inscribed verso. Pen/ink on laid paper. Appears to be unsigned. Watermarks; Haewood # 1591

Continental School, Old Master drawing, Continental School (c. 17th c.), ink on paper, 8.25"h x 11"w (sheet), 12"h x 14.75"w (frame)

Early Renaissance drawing in red chalk. Mounted horseman with buildings behind. Old inscription in ink verso with other inscriptions and notations. Dimensions: (Paper) H 14.25" x W 10.25" Condition: P

Old master drawing. Conte with wash on landed paper. There are two watermarks present including including a court Jester and the letters BV. The same collection stamp is stamped on the ULC and LRC of

Large portrait in multicolored chalk. Attached sheet of paper to mat describing sitter. Back of the framing with various labels and attached letter. Gallery labels from Gallerie Charpentier, Paris, 19

Mercury 7 1/4" x 10" (sight) ink wash unsigned

Continental school, oil master drawing graphite on laid paper sketch drawing depicting figures and angels ascending, housed under glass in an antique gilt and black, blue, and white painted frame with

Rare 18th century Judaic old master drawing depicting Jewish ceremony of nuptials. Bride and the Groom, the Rabbi, and surrounding family and orchestra in background. Titled along bottom in French, He

Loves Embrace 5 1/2" x 10" red pencil on paper

In orange, with seals, label of Marshall Fields & Company (when had an antique department circa 1900-1920's), image area 8" X 10" plus matting and frame.

OLD MASTER DRAWING17th/18th CenturyStudies of legs and feet on three separate sheets applied to one.On paper, 16.5” x 10.5”. Framed 30” x 24”.

Ink and wash with two partial chalk drawings verso, various inscriptions verso. Mounted on a sheet with an attribution to Salviati. Dimensions: (Drawing) H 9" x W 7.25" Condition: Small hole above fig

18th century French Old Master drawing of "The Arch of Augustus Caesar". Fine quality mixed media with gouache. Sight size: 9-1/2" x 11". Framed size: 24" x 28".

This is a signed original 18th century Old Master drawing featuring a view of an Italian villa. Figures in the foreground. Executed on Moyen watermarked laid paper. 18 1/4 x 11 3/4".

(16th century) St. Anthony of Padua, along with two figures kneeling, unsigned, brown ink and ink wash, 10-5/8 x 8-1/4 in.; gilt wood tablet shaped frame, 19 x 15 in. Provenance: Property from a South

Francesco Albani (attrib.), Old Master drawing, Attributed to Francesco Albani (Italy, 1578-1660), Mythological subject, c. 1600, chalk on paper, signed "Albani" lower right, information label verso,

Artist: French School Title: Size: 14 3/4" x 9 3/4" approximate sheet size. Medium: drawing on paper Date: 17th century Condition: good original condition.

Rembrandt's prime student and assistant. This drawing was for years attributed to Rembrandt. Brown ink and quill on toned paper. 12 in x 9.5 in.