Oil on Canvas, Attributed to Thomas Webster

Framed oil on canvas painting, Country Scene with Children Fishing, signed with monogram lower left TW, attributed to Thomas Webster, R.A. (British, 1800-1886), dated 1864, sight: 16.5"h, 20.5"w, over

Oil on canvas, attributed to Thomas Hart Benton, approx. 31x23 in. Thomas Hart Benton was an American painter and muralist. Along with Grant Wood and John Steuart Curry, he was at the forefront of the

Thomas Doughty (attrib.), oil on canvas, Attributed to Thomas Doughty (American,1793-1856), The White Mountains, no signature observed, artist tag on frame, 10"h x 15"w (stretchers), 14"h x 19"w (fram

Oil on canvas, framed. Attributed to Thomas Hart Benton (1889 - 1975). This artwork is a stunning example of his signature style of Regionalism. The painting vividly portrays a dynamic scene of a stea

" A fine oil on canvas portrait attributed to William Thomas Smedley(1858–1920), was an American artist born in Chester County, Pennsylvania. Depicting a portrait of a woman in a white lace-trim

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to

Unsigned, titled label verso 'Lady Hambury Williams', canvas measures 30.5 x 25.5, frame measures 35 x 30 inches. We ship in-house for all items with the exception of very large and or very fragile pi

DESCRIPTION: Oil on canvas laid on Masonite, apparently unsigned, attributed to Thomas Birch, Titled "Winter Scene" but sold by Christie's in 1998 as "Sleigh Ride in Winter". PROVENANCE: Harry & Mary

19th century framed oil on canvas painting of a gentleman, attributed to Sir Thomas Lawrence (British, 1769-1830), bearing labels verso. [Art: 30" H x 25" W; Frame: 37 1/2" H x 31 3/4" W]. In good con

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

Attributed Thomas Luny (English, 1759-1837), Maritime Scene with Two-Deckersoil on canvas (lined), unsigned, presented in a later ebonized frame with ripple molding in the Dutch style. Stretcher size

Oil on Canvas Portrait of Dr. Walton Hazard Peckham, Attributed to Thomas Sully (American 1783-1872), unsigned, in flat gilt, oval frame; artist and sitter identified in pencil on rectangular stretche

Thomas Webster (British, 1800-1886), First Stepsoil on canvas (lined), signed at lower right, presented in a later Rococo style gilt wood frame. Stretcher size 12 x 10 in.; Frame dimensions 18 x 16 in

Antique original oil on canvas portrait painting of Sir Sandys attributed to Sir Thomas Lawrence (1769-1830 United Kingdom) Depicts a serious young man seated at a desk. Housed in an antique gold gilt

Attributed to Thomas Sully oil on canvas portrait of Elizabeth Wheeler, later Elzabeth Wheeler Beale. 16" x 12" ss / 20.74" x 16.75" oa

Attributed to Thomas Sidney Cooper (British, 1803-1902) , "Cows Watering at Stream", oil on canvas, unsigned, handwritten label en verso, 48 1/4 in. x 78 1/4 in., unframed . Provenance: Property deacc

(British, 1738–1806) Portrait of a Smiling Boy in a Landscape with a Greyhound, unsigned, oil on canvas, 53-3/4 x 41 in.; original English 18th century Maratta carved and gilt wood frame, 61-3/

Attributed to Thomas Chambers (American, 1808-1866) Oil on canvas. 18 x 24 in. Ex. Edward Cornwell (1936 - 2002) collection Rochester, NY.

ATTRIBUTED TO THOMAS WHITCOMBEUnited Kingdom, c. 1760-1824"English Frigates". Unsigned. Titled and attributed to Whitcombe on frame plaque.Oil on canvas, 12" x 17". Framed 22"

(British, 1803-1902) Cows Resting by a River, signed lower right "T. Sidney Cooper.R.A./1877", oil on canvas, 17-7/8 x 24-1/4 in.; gilt wood and composition frame, 25-1/4 x 1-5/8 in.

Oil on canvas. Approx. 50" x 40" unframed, 55" x 45" framed. Relined. Flecking.

(British, 1701-1779) Portrait of a Gentleman in a Fur Trimmed Blue Velvet Jacket and Holding a Tricorn Hat, within a feigned spandrel, unsigned, oil on canvas, 29-1/2 x 24-1/4 in.; gilt wood cove mold

Edgar Allan Poe Portrait oil on canvas. Signed by artist monogram, dated 1861, and identified Edgar Allen Poe on the back of the piece. Attributed to Thomas Sully. 30"x26" Framed. Prov. Morphy Auction