Mora de Salazar, Francisco - Tejada, Lorenzo de. Carta

(WEST--TEXAS.) Gabriel Durán. "Carta y plan" denouncing the future Texan patriot Lorenzo de Zavala. 2 printed pages, 12 x 8¼ inches; horizontal fold, minor soiling and wear. In custom ¼

De claris mulieribus Ferrara, Lorenzo de Rossi, 29 aprile 1497. In 2°. A carta Air titolo xilografico, A1v xilogrphilippus 1497afia con la presentazione del volume da parte dell’autore a Beatrice d

Salazar y Castro, Luis de. INDICE DE LAS GLORIAS DE LA CASA FARNESE O RESUMEN DE LAS HEROYCAS ACIONES DE SUS PRINCIPES (Madrid: Francisco del Hierro, 1716). 4to. Hardcover bound in calfskin. Gilt spin

Juárez, Benito. Carta Dirigida al General Mariano Escobedo donde le Informa la Muerte de los Generales Arteaga y Salazar...México, 1866

Mora, Francisco (Mexican, 1922-2002), El Obero de Mina de Plata [Silver Mine Worker], lithograph on wove paper, signed in pencil, image 13.75 x 11 inches, matted and framed 20.5 x 16.75 inches. A sing

17" x 23" "Saliendo De La Mina" Signed lower right. Label on back dates the work to 1946.

GOYA Y LUCIENTES (FRANCISCO DE) [Caprichos], ninth edition, 80 etched plates with aquatint, printed on wove paper, mounted on guards, some foxing to margins throughout (occasionally heavy or straying

Los Caprichos, 1799 [Madrid, this set printed later], edition unknown (likely one of the earlier editions of the 1850s-60s), bound set of 80 etchings with aquatint on heavy, unwatermarked, wove paper

Circle of FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, Zaragoza, 1746 - Bordeaux, France, 1828). "Portrait of Charles IV. Oil on canvas. Re-retouched. It presents repainting, old restorations and a Car

Qianlong dynasty, for the Mexican market, each bearing the arms of Solar de Tejada the rim having a cherry blossom and swag border, with motto "Ecce Beatifieamus Eos Qui Substinuerrint," 9-3/4 in. Not

Francisco de Goya Y LucientesFuentetodos 1746 - 1828 Bordeaux, circleAchilles & HectorOil on canvas, relined30 x 47 cm (with frame 50 x 67 cm)The painting (30x47cm) in oil on canvas depicts an ambiguo

(Napoli, 1696 - 1782) Riposo nella fuga in Egitto Olio su tela, cm 34,5X40 Lorenzo de Caro è un artista legato al tardobarocco dell'ultimo Solimena e con attinenze di influenza del Traversi per quel

(Napoli, 1689 - 1750) Modelletto raffigurante il Martirio Sant'Andrea Olio su tela, cm 88X50 Provenienza: Napoli, Blindarte, 19 maggio 2010, lotto 80 (attr. a Lorenzo de Caro) Lorenzo de Caro è un ar

Horacio Valdez (American, 1929-1992) San Francisco de Asis, 1987, polychrome painted wood santo figure, signed HV, dated and titled (base) 20 x 6 1/2 inches Provenance:

Title:Montblanc Lorenzo De Medici Patron of Art Fountain Pen 18K Nib Description:Montblanc Lorenzo De Medici Patron of Art Fountain Pen 18K Nib. Estate of prominent attorney who meticulously kept his

Heading: Author: Montblanc Patron of Art Title: MONTBLANC: Lorenzo de Medici Limited Edition 4810 Fountain Pen Place Published: Publisher: Date Published: Description: De

(MEXICAN IMPRINT--1717.) Francisco de Avila. Arte de la lengua mexicana, y breves platicas . . . de su obligacion á los Indios. [13], 37 leaves. Small 8vo, later limp calf, minor wear; moderate d

FRANCISCO DE ZURBARÁN 1598 Fuente de Cantos - 1664 Madrid (Umkreis) SIBILLA CUMANA Öl auf Leinwand (doubl.). 66 cm x 51 cm. Verso: Holztafel mit altem Wachssiegel, alter Aufkleber mit Zuschreibung a

FRANCISCO DE GOYA Y LUCIENTES (Zaragoza, 1746 - Bordeaux, 1828). Folder with 15 etchings on paper, based on paintings by DIEGO VELÃZQUEZ (Seville, 1599 - Madrid, 1660). Published by the Calcografí

Title: "Desparrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The rabble hamstring the bull with lances, sickles, banderillas and other arms)" plate 12 from "Tauromaquia", the

This lot consists of a gentleman portrait on canvas painting dated to the 18th-19th century. The lot depicts the portrait of an important man in the style of Francisco Goya. The painting could be one

"Head of Christ From The Pieta" Cast Carrara Marble Sculpture W/Mixed Media, Gold Leaf, Copper & Silver by Prince Lorenzo de' Medici W/Letter of Authenticity - This sculpture is called "Head of Christ

"Head of Madonna From The Pieta" Cast Carrara Marble Sculpture W/Mixed Media Paint, Gold Leaf & Copper by Prince Lorenzo de' Medici W/Letter of Authenticity - This sculpture is called "Head of Madonna

Lorenzo de Nevers (Canadian-American), 1877-1967) portrait painting, oil on canvas, signed "L. Nevers, 1912, mounted in original custom gilt frame, 44" x 30", framed 53-3/4" x 39-3/4", good condition